Tickets are now on sale for Rammstein Live in Mexico City, the 4K concert film heading to cinemas worldwide on 4 November for a limited run. The matching concert film and live album then arrive on 20 November, with physical and digital editions open for pre-order.
The film is built from the band’s three night stand at Mexico City’s 65,000 capacity Foro Sol on 1, 2 and 4 October 2022, seen by nearly 200,000 fans. It is presented as the definitive record of that run, and of the stadium tour that filled football grounds around the world with fans and flames from 2019 to 2024.
Cinema tickets and full listings are live now at rammsteinmexico.live. The trailer is also being pushed through that site, with the film sold as a short window event rather than a long theatrical stay.
Directed by Paul Dugdale, whose previous credits include The Rolling Stones, Taylor Swift, Elton John and Adele, the feature length cut is designed to put the full Rammstein stadium production on a cinema screen. The set stretches across the catalogue, including Armee der Tristen, Deutschland, Du riechst so gut, Sonne, Du hast, a rare run at Te quiero puta! and plenty more.
Those Mexico City dates closed the band’s first and only full scale North American stadium trek. Seven 747s and nearly 210 crew members moved the pyro heavy production through 12 open air shows, starting in Montreal on 21 August 2022, tearing through seven US stadiums, then wrapping in Mexico City.
Home versions follow on 20 November as both a concert film and a full length live album. Confirmed editions include a 2CD digipak, a Blu-ray digipak, a 4LP black 180g set, a 4LP coloured edition in red, white and green plus splatter vinyl, a deluxe hardcover photo book with 2CDs and Blu-ray, and tighter shop exclusives such as a 500 copy white label vinyl and a Lucha Libre head and mask box. Pre-orders are live via the official Rammstein shop.
The New Yorker wrote: “If we define fun as the unknowing acceleration of time, then Rammstein’s particular brand of self-obliteration, in which time collapses entirely, is a guaranteed good time.”
The Los Angeles Times said the “commitment to excessive pyromania was epic stagecraft on a Wagnerian scale, several notches up from most arena rock,” while adding that the six piece “wasn’t dependent on those fireworks but could have easily punished and soothed the senses to nearly the same effect with music alone.” Consequence has called Rammstein “one of heavy music’s biggest and most dynamic live acts.”
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