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Music, Comedy & Events

West Midlands Mayor urges Burnham to appoint Night-Time Economy Minister

written by Aiden Baxter

Richard Parker, the Mayor of the West Midlands, has called on Prime Minister Andy Burnham to appoint a dedicated Minister for the Night-Time Economy, arguing the sector deserves the same government recognition recently handed to artificial intelligence.

The call comes a day after the Prime Minister gave AI its own place at the Cabinet table, naming the country’s first cabinet-level AI minister. Parker says the night-time economy has earned similar status, pointing to figures showing it supports around 324,000 jobs across the West Midlands, close to one in four of the region’s workforce, with roughly 100,000 of those jobs sitting directly within nightlife itself, spanning pubs, restaurants, grassroots music venues, theatres and cinemas.

Parker is calling for the new role to sit within the expanded Department for Business, Innovation, Science and Trade, led by Secretary of State Jonathan Reynolds. He argues Burnham is well placed to understand the ask, having championed the sector during his time as Mayor of Greater Manchester, where he set up a Night-Time Economy Commissioner role.

“Andy Burnham understands the night-time economy,” Parker said. “He championed it in Greater Manchester with a Night-Time Economy Commissioner, so he knows what it means to a place and the people who live there. He’s previously called for support and relief for the industry, so he gets it. Yesterday he gave AI a minister. I’m asking him to do the same for the night-time economy.”

The mayor framed the ask in cultural as well as economic terms, describing nightlife as “the cultural life blood” of towns and cities across the region. “This is one in four jobs across our region,” he said. “But more than that, it’s the cultural life blood of our places. It gives people somewhere to go, something to do, places to meet. The industry has taken a battering from Covid, rising costs and business rates. They need someone in government whose job is to fight their corner.”

The intervention builds on work already under way locally. The West Midlands Night-Time Economy Commission, established by Parker last autumn, published its findings in May with 25 recommendations aimed at reviving the sector. Among them was a call for a national champion within government to join up policy across tax, licensing and transport, alongside calls for later buses and trains, safer streets and stronger backing for grassroots venues.

“We’re getting on with our part here in the West Midlands, we’ve got a plan to address the challenges locally,” Parker said. “But a minister in Government would pull the national picture together, so the whole country works to the same plan. We need to look out for the thousands of people who make their living after dark, giving our places the vibrance we all love.”

The call also lands against a backdrop of mounting pressure on the sector nationally. A recent poll found that two-thirds of young voters say political support for the night-time economy will directly influence how they vote in upcoming elections, with affordability concerns driving voter attitudes as rising living costs squeeze disposable income for nights out.

Image credits:
In this article: Andy Burnham, West Midlands, Greater Manchester, Department for Business, Energy and Industrial Strategy, Jonathan Reynolds, COVID-19 pandemic. Generated by Wikidata Schema Link Builder.
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

21st July 2026 0 comments
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Features

Why Clear Expiry Dates Matter for Casino Bonuses and Festival Deals

written by Taylor Bradshaw

Limited-time deals are a familiar part of festival season. Early-bird tickets sell out or move to a higher price tier, merchandise offers can appear without much notice, and discounted travel or accommodation packages don’t stay around for long. Because these offers change so quickly, knowing exactly when they expire is just as important as the deal itself. Clear deadlines matter because time-limited offers can affect how people assess value and urgency. When the end time is vague, consumers may struggle to distinguish a genuine deadline from marketing pressure.

A similar pattern appears in OJO’s personalised daily reward system, where available promotions may refresh from one day to the next. A reward available today may be replaced within 24 hours, so the expiry time is part of the offer itself rather than a minor condition. As with a festival presale or ticket upgrade, users need to know what is available, how it can be claimed, and how long they have to use it.

Why Changing Offers Hold Our Attention

A permanent discount soon becomes part of the normal price. A deal that appears briefly feels different because there is a clear point when the opportunity ends. Festival organisers use this with early ticket tiers, weekend upgrades and last-minute travel packages. Online casinos use it when rewards rotate or appear for selected accounts.

The appeal comes partly from variety. Festival fans may check an app because a new ticket release, competition or merchandise offer could arrive. Casino players may return to see whether a different reward has appeared since the previous day. In both cases, the offer gives people a reason to look again rather than assuming the page will remain unchanged.

This overlap helps explain why online casino promotions increasingly appear alongside festival-related entertainment and marketing. Entertainment firms usually tie rewards to special occasions such as music weekends that occur within the period when consumers are searching for something new.

A 24-Hour Window Changes How People Decide

Deadline is crucial, because at that point, the users have to decide whether the option presented to them suits them or not. Nevertheless, the deadline is supposed to encourage you and should never outweigh your correct decision making.

Another situation where deadlines play a similar role occurs when festival offers are presented. If somebody has not yet planned to take a holiday, it may still be tempting to buy since the cheap offer is valid for a limited period of time only. The offer can be real but it is not necessarily appropriate for everybody.

The deadline and the decision to purchase should be treated separately.

Festival Deals Often Come in Waves

Festival tickets are rarely sold at one fixed price from the first announcement until the gates open. Organisers may begin with an early release before moving through later tiers. Camping, coach travel and VIP access can also close at different times.

This means the first expiry date is not always the end of the whole sale. It may simply mark the point when one option is replaced by another. The next ticket tier could cost more, offer different conditions or remove an extra that was included earlier.

Daily casino rewards work in a comparable way. When one promotion ends, the account may show something different the following day. The next offer may be better, worse, or simply different. Recognising that another promotion may appear can help users assess the current one on its own terms rather than acting from fear of missing out.

The Expiry Time Should Be Easy to Find

A limited offer only works fairly when the deadline is clear. “Ends today” can be less helpful than it sounds because it does not always say whether the cut-off is at midday, midnight or another time. The same problem applies to phrases such as “last chance” when the page does not explain exactly what is ending.

Festival fans should be able to see when a ticket price changes and whether a package can sell out before the stated date. Casino players need to know when a reward must be activated and whether it has another deadline after it has been claimed.

These details matter because some promotions contain two separate windows. The first covers claiming the offer, while the second covers using the reward. Acting before the first deadline does not necessarily mean the reward will remain available indefinitely.

Countdown Timers Need to Reflect a Real Deadline

A countdown can be useful when it shows the genuine time left before a festival presale closes or a daily reward changes. It gives the user a clear answer without making them search through the terms.

Problems begin when a timer resets or suggests that an offer is about to vanish when it remains available afterwards. Sky News reported on an investigation into allegedly misleading urgency claims used in online deals. The case shows that countdown timers and pressure-selling tactics can affect many types of digital purchases, not only gambling promotions or festival tickets.A trustworthy timer should therefore correspond to a genuine change in price, availability, or eligibility.

The basic rule is straightforward: the clock should match a real change. If a cheaper festival tier ends, the new price should appear as stated. If a casino reward refreshes after 24 hours, the current promotion should close and be replaced rather than quietly continuing under another countdown.

Personalised Rewards Need Clearer Context

Not every casino player sees the same promotion, just as not every festival customer qualifies for the same presale. Some ticket deals are limited to previous attendees, mailing-list members or people using a particular payment service. Personalised casino rewards may depend on what appears inside an individual account.

That personalisation can make the offer feel relevant, but it also means people should not rely on an old social post or someone else’s screenshot. A reward discussed yesterday may have expired, while another user may see different terms today.

The current account page and current conditions are what matter. Search results can help explain how a promotion works, but they cannot guarantee that the same reward is still active for every person reading.

The Largest Reward Is Not Always the Best One

Promotions naturally lead with their most noticeable figure. A festival deal may highlight a percentage saving, while a casino offer may focus on free spins or cashback. The headline tells you what could be available, but not whether there is enough time to use it sensibly.

A smaller reward with a clear deadline may be easier to understand than a larger one surrounded by conditions. The same applies to festival packages. A cheap travel bundle is only useful when the departure point and timings work for the person booking it.

The best limited offer is therefore not always the one with the biggest number. It is the one that suits the user’s plans without requiring them to make a rushed decision.

Let the Offer Change Without Chasing It

Festival deals and daily casino rewards are designed to move. That is part of what makes them interesting. Because these offers change regularly, missing one opportunity does not necessarily mean missing every opportunity.

Checking the deadline is useful, but the countdown should not take control of the decision.

A clear offer tells people what is available, when it ends and what happens next. Once those details are visible, festival fans and casino players can decide whether to act or simply let the deal expire.

20th July 2026 0 comments
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aerial drone vertical view rally support country s european integration
Features

Reading and Leeds Festival Announces Biggest Staging Overhaul in Its 37-Year History

written by Taylor Bradshaw

Reading and Leeds Festival is undergoing its most extensive transformation since the event began, with organisers confirming a wholesale redesign of the arena layout ahead of this August’s Bank Holiday weekend. The Mirror reported the changes mark the largest staging shake-up in the festival’s 37-year history, with the event running from Thursday, August 27 to Sunday, August 30.

Six New Stage Concepts Across Both Sites

The overhaul affects both Bramham Park in Leeds and Richfield Avenue in Reading, introducing multiple new and reimagined stage concepts simultaneously. That scale of change at two separate sites in the same year is without precedent in the festival’s recent history.

For those still weighing their options, the ticket situation differs sharply between the two venues. Reading Festival has sold out entirely, with only Sunday Day tickets remaining. Final tickets for Leeds Festival are still available through the festival’s website, making Bramham Park the last realistic entry point for anyone yet to secure a place.

Six distinct stage concepts are being introduced or significantly reworked this year, ranging from the renamed main stage to purpose-built production environments that have not previously existed at either site.

Fans Mapping a Packed Summer of UK Marquee Events

The editorial team at Live Sports Odds follows the UK summer sporting and events calendar closely, and the current picture illustrates just how compressed the season has become for British audiences.

Regulars attending Reading and Leeds this year face a genuine logistical rethink. With five or more reconfigured stages across each site, established routes between sets that worked in previous years may no longer apply. The task of re-plotting a weekend across an entirely new arena configuration is one thing on its own. Set it against the rest of the summer calendar, and the planning load compounds quickly.

The team notes that many of the same fans working through their August Bank Holiday plans are also tracking a string of other major events earlier in the season. A significant number of them follow Wimbledon odds as the way they keep tabs on the Championships, treating the tennis fortnight as a fixed point in the summer schedule before festival season accelerates toward its peak.

The Gallery, The Warehouse, and The Ballroom Arrive as Flagship New Venues

Three entirely new stage concepts sit at the heart of the production redesign, each built around a distinct aesthetic and musical focus.

The Gallery, presented by Budweiser, is a fully covered, immersive space constructed around advanced LED lighting that envelops the entire venue rather than being confined to a conventional stage wall. The production design is designed to work on the audience from all sides, making it a different sensory proposition from anything previously offered at either site.

The Warehouse takes a different approach. Purpose-built for dance music, it is described as the first-ever custom-built experiential dance stage in Reading and Leeds’ history. A large-scale screen production anchors the space, but the intent is clearly the dancefloor itself, which sits at the centre of the concept.

The Ballroom arrives as a transformed stage making its debut at the festival, distinguished by chandelier fittings and draped interiors that give it a character entirely at odds with the industrial and outdoor aesthetic that defines much of the surrounding site. Its programming is focused on artists who are defining the sound of 2026, positioning it as one of the more culturally specific offerings in the new lineup.

The Grid Anchors the Headline Experience Alongside Kasabian’s Historic Thursday Slot

The main stage has been renamed The Grid, framed by organisers as the spiritual home of the festival’s most iconic headline moments. Its 2026 lineup reflects that positioning. Charli xcx, Fontaines D.C., Dave, Raye, Florence + The Machine, and Chase & Status are among the confirmed headliners across the weekend.

A discrete milestone sits within the Leeds programme. Kasabian will take the stage as the first-ever Thursday night headliner in Leeds Festival history, a distinction that sets the August 27 opening night apart from any previous edition of the event.

Beyond the three flagship new concepts and The Grid, the full site picture includes further distinct spaces. The Canopy is dedicated to emerging artists, positioned as the place where next year’s headliners will begin building their festival reputations. The Yard, exclusive to Reading, is an outdoor stage constructed among repurposed shipping containers, its design intended to replicate the raw, industrial feel of alternative club culture.

Leeds retains two site-specific stages not replicated at Reading. LS23 returns as one of the most sought-after late-night destinations on the site. Piccadilly Circus also returns, though its full programme has yet to be announced.

Leeds Tickets Running Short as August 27 Approaches

With Reading fully sold out and the August Bank Holiday weekend now under six weeks away, the window for Leeds is narrowing. Final tickets for Bramham Park remain available through the festival’s official website, but the combination of sell-out pressure at Reading and a programme of this scale makes delay a risk. August 27 arrives quickly.

17th July 2026 0 comments
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Utillian 850 real world shot wide
Festival GearNewsReviews

Utillian 850 Review: A Heavyweight Contender for Medical Patients

written by Sam Warrenger

As the UK medical cannabis landscape continues to mature, patients are increasingly looking for reliable, high-performance extraction devices that can handle daily use without breaking a sweat. Enter the Utillian 850. Manufactured by Thermodyne Systems (the team behind TVAPE, Zeus, and Tronian), Utillian has built a strong reputation over the years, but with the 850, they are clearly stepping into the premium heavyweight division.

Visually and physically, this device makes a statement. Weighing in at a hefty 210g with a sleek matte finish and an all-metal body, the build quality is imposing and makes older plastic portables feel a bit like toys. It is a device that feels planted and secure in the hand.

However, this premium feel comes with a premium price tag. Launching with an RRP of around £319, it sits firmly in the upper echelon of the market, though thankfully, TVAPE currently has it on sale for a much more appealing £249. For many users, a highly capable mid-range device will be more than enough. But for power users looking for massive battery life, dual-core heating technology, and uncompromising vapour density, the Utillian 850 is designed to be an investment piece that delivers arguably the best vapour you’ll get from a portable that doesn’t share the bulky, walkie-talkie form factor of the S&B Venty.

What’s in the Box

Utillian 850 box contents
The Utillian 850 unboxed showing the included accessories

In the box, alongside the Utillian 850 itself, you get the magnetic mouthpiece, a USB-C charging cable, a packing tool, and a few handy spare screens and O-rings. Similar to the Nectar Hex and many modern tech devices, there is no bulky paper manual included, just a prominent QR code to scan for the digital version.

Notably, Utillian also includes a dedicated wax/concentrate canister. The device even features a specific software mode for extracts, unlocking a higher temperature range designed to handle them. I will be honest: I haven’t had the chance to test this feature yet, and for a very specific reason. The very first concentrates for the UK medical market have only just become available to patients, and at the time of writing, they are sitting at around £80 for 2g.

At that price point, it isn’t something I have rushed to try. However, as the UK market inevitably matures and these medications become more accessible, having a device that is already equipped for them, without needing to buy an expensive secondary adapter or a completely separate rig, is a massive bonus that future-proofs your investment.

Usability & The “On-the-Go” Reality

Let’s dive into what the Utillian 850 is actually like to live with day-to-day.

First off, the display is arguably the best I’ve seen on a dry herb vape yet. It features a highly detailed colour LCD that provides live temperature monitoring as you inhale. This isn’t just a flashy gimmick; watching the temperature hold steady while taking a long draw actually proves that the dual-core heating system is working hard to maintain consistency. If you find the default graphics and small text a bit busy, there is a larger, “easy read” mode you can quickly activate.

As with almost all vapes with a colour screen, it is difficult to read in direct, bright sunlight. You will still need to shield it with your hand and get up close to make out the numbers. While a device like the S&B Venty, with its old-school basic calculator-style display, might be easier to read in the glaring sun, the Utillian’s screen gives you significantly more information and a far more premium interface overall.

Utillian 850 display in sunlight
The colour display in action outdoors, showing the live temperatures (target + actual)

When it comes to power, the 850 packs a massive 5000mAh battery. In practical terms? It lasts ages. During my weeks of testing, I simply haven’t used it heavily enough to fully drain the battery between my regular charging habits. It gives you incredible peace of mind if you are taking it away for a weekend.

However, taking it away does bring us to its portability. While it will fit comfortably in a standard front trouser pocket, it entirely fills that pocket and you are going to be very aware it is there. Honestly, it is much better suited to being thrown in a backpack. The matte finish feels rugged enough to keep loose in a bag alongside a power bank and keys. If you want to keep the paint pristine, however, you’ll want to tuck it into its own internal pocket.

The top mouthpiece section is held on by strong magnets. For daily use around the house or casual walks, I completely trust it not to pop off. But, if I were heading out for a long walk in the rugged Welsh mountains or going for a jog with the vape loose in a bag where it can knock against other objects, I would definitely wrap a rubber band around it just to be certain I didn’t spill my medication.

My biggest gripe with the Utillian 850, however, is a frustrating one for medical patients: the lack of dosing capsules. This is my main usability issue. I have heard rumours that capsules from other vape brands might fit, but I’m not brave enough to buy them on the off-chance, nor do I know how they will affect airflow in a chamber they weren’t designed for. I asked a Utillian rep about this, and they couldn’t provide an answer on whether official capsules are in the pipeline. This means if you want to refill out and about, you are forced to carry a small container of pre-ground herb or mess about with a grinder in the field, which takes away from the device’s otherwise premium convenience.

Utillian 850 real world shot
The 850’s rugged matte finish handles the outdoors well

Vapour Quality & Airflow

When you’re dropping this kind of money on a vaporiser, you expect a premium draw, and the Utillian 850 genuinely delivers here. Starting with taste and vapour density, this device produces some of the most satisfying clouds I’ve experienced from a portable.

A big part of this comes down to the physical mouthpiece and vapour path. Utillian uses a zirconia and gold-plated setup they call ‘Gold Sink Technology’. Unlike a lot of flashy vape terminology, this actually translates to a tangibly better real-world experience. If you’re used to the plastic cooling straw of the S&B Crafty, the difference is night and day. The zirconia mouthpiece does a significantly better job of dissipating heat during longer sessions. The result is a draw that is noticeably cooler on the lips and simply tastes nicer. The flavour holds up well, and the thick vapour production is consistent from the first pull to the last.

The 850 achieves this consistency thanks to its “dual-core” hybrid heating system, meaning it uses two independent heaters simultaneously. You can pull a stupidly large amount of air through this thing, and the heaters keep up perfectly without the temperature dropping off or the vapour thinning out.

Utillian 850 bottom shot airshow adjuster
he base of the device houses the USB-C port and the highly effective adjustable airflow slider

This brings me to the airflow control, which is genuinely impressive. There is a physical slider on the bottom that offers a massive range of restriction. Personally, I found the sweet spot to be about 20% open. This gives a nice amount of air but still delivers that satisfying ‘hit’ in the back of your throat and lungs, so it doesn’t feel like you are breathing nothing.

To manage expectations, if you are a heavy user accustomed to thick bags from a mains-powered Volcano, a battery-powered portable will always have its limits. But for all but the heaviest of daily users, the density, temperature, and flavour of the vapour produced here are top-tier.

Cleaning and Maintenance

As for maintenance, I’ll be completely honest: after several weeks of daily testing, I haven’t actually needed to deep clean it yet. The device seems to handle resin buildup quite well so far. When the time does come, the inclusion of spare screens and O-rings in the box is reassuring, and the magnetic mouthpiece assembly looks straightforward enough to pop apart for a quick soak in isopropyl alcohol.

Conclusion

After spending a solid chunk of time with the Utillian 850, it is clear that this is a highly capable, exceptionally well-built device. It doesn’t completely reinvent the wheel, but it polishes many of the features power users care about to a very high shine. The battery life is phenomenal, the colour screen is brilliant, and the vapour production, aided by that zirconia mouthpiece and dual-core heater, is undeniably top-tier.

The lack of dosing capsules remains my main sticking point. If you are a patient who relies entirely on pre-packing dozens of capsules for mobility and ease of use, this might be a dealbreaker. However, for the large portion of users who hate fiddling with tiny capsules anyway, prefer carrying a grinder, or mostly use their portable device in and around the house, it is a complete non-issue.

At its £319 RRP, it is definitely an expensive investment. But at the £249 sale price, it suddenly becomes a much more compelling option. It offers a vastly sleeker, more discreet form factor than the S&B Venty, with modern touches like USB-C charging and an informative display that older portables lack. If you are looking for a heavyweight, premium daily driver, the Utillian 850 is a fantastic choice.

Utillian 850 open

Where to Buy the Utillian 850

If you think the Utillian 850 is the right fit for your setup, you can pick it up directly from TVAPE (an official brand of the manufacturer Thermodyne Systems) who kindly provided the device for this review.

  • TVAPE Official Website: At the time of publishing, they have the Utillian 850 on sale for £249.

TVAPE also sell some leading vapes from other manufacturers, and they’ve put together this helpful comparison guide if you’d like to see how the Utillian 850 stacks up against the rest of the market.

Utillian 850 Specifications

FeatureSpecification
Dimensions57 mm x 30 mm x 118 mm (2.2 in x 1.18 in x 4.64 in)
WeightApprox. 210g (0.463 lbs)
Battery Capacity5000 mAh
Charging InputUSB-C (5V DC / 2.5A / 12.5W)
Dry Herb Temp Range160C – 230C
Dry Herb Session Time3 – 8 minutes
Solid Wax Temp Range220C – 260C
Solid Wax Session Time30 – 180 seconds
Operating Temperature5C – 40C (41F – 104F)

Source: Official Utillian 850 Manual (PDF)

Utillian 850 final shot

Image credits:
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: TVAPE

17th July 2026 0 comments
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Yee Loi
Music

Liverpool siblings Yee Loi drop dark pop anthem ‘Down In The Bunker’

written by Aiden Baxter

Liverpool sibling punk trio Yee Loi have released their new single ‘Down In The Bunker’, a gothic-horror flavoured track built around an existential goth, a small-town bully and a dead uncle hidden in a basement.

The song grew out of a real-life family holiday to Italy, where the band, made up of siblings Rose, Matilda and Don Don, stayed in an apartment they joked smelled like there was a body hidden in the walls. Matilda said: “We were in Italy for our mum’s birthday, staying in this apartment that just smelled absolutely terrible. We started joking that there was a dead body hidden away in the basement walls…and that gradually became ‘Down In The Bunker’.”

The band’s name, Yee Loi, is Cantonese for “two girls”, and their songwriting process is a genuinely collaborative, wall-banging affair carried out at their family home. Rose explained: “We are completely separated by a bedroom wall at home. If Matilda gets an idea for the lyrics or I get an idea for a riff or a melody, we just shout ‘Come on, then!’ through the plaster and start writing. Half the time it’s midnight and someone is knocking on the ceiling telling us to stop, but that’s exactly how our songs come together”.

A music video accompanies the release, built around a DIY punk aesthetic that sees the band’s heads placed on doll bodies, leaving only their facial expressions free to react to the song. Their younger sister also appears in the video as a “little goth”, with the band calling the whole thing a “sibling show”.

Yee Loi have already built festival and touring credentials, having supported post-punk icon Adam Ant on a run of UK dates in late 2025. York Calling praised the trio’s set as the “sharpest opening set of the month”, adding that “they leave the stage like they’ve robbed a bank and legged it.”

The band will return to the road this October, this time supporting Transvision Vamp on an extensive UK arena and venue tour spanning fifteen dates.

Yee Loi’s Transvision Vamp Tour Dates:

  • 6 October: Newcastle, O2 City Hall
  • 9 October: Glasgow, O2 Academy
  • 10 October: Leeds, O2 Academy
  • 14 October: Cambridge, Junction
  • 15 October: Leicester, O2 Academy
  • 16 October: Liverpool, O2 Academy
  • 17 October: Oxford, O2 Academy
  • 18 October: Cardiff, Tramshed
  • 20 October: Manchester, O2 Ritz
  • 21 October: Bournemouth, O2 Academy
  • 22 October: London, O2 Shepherd’s Bush Empire
  • 24 October: Norwich, Epic
  • 28 October: Brighton, Chalk
  • 29 October: Birmingham, O2 Institute
  • 30 October: Bristol, O2 Academy

‘Down In The Bunker’ is out now, with the band’s Transvision Vamp support slots marking their next major live outing following the acclaim earned on the Adam Ant tour.

image 7

Image credits: Jonny Nolan / The Atkinson Photo Company
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

17th July 2026 0 comments
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Razorlight
Music

Razorlight release Lost In America, a hidden demo of their number one hit

written by Aiden Baxter

Razorlight have dug into the archives to release a previously unheard demo of their chart-topping single ‘America’, retitled ‘Lost In America’, giving fans a rare glimpse at the earliest version of one of the biggest indie anthems of the 2000s.

The release lands alongside news of a deluxe edition of the band’s self-titled second album, due later this year, with a new track called ‘Wilfred Owen’ already appearing on streaming platforms ahead of the record. It also follows confirmation that Razorlight will head out on a huge UK and Ireland tour this November to mark 20 years since the release of that pivotal album.

‘America’ topped the UK Singles Chart on its original release in 2006 and featured on Razorlight, the band’s five-times platinum second album, which sold 1.6 million copies in the UK and propelled Johnny Borrell and co firmly into the mainstream. Speaking about the newly unearthed version, Borrell explained: “This was the first version that we put down. We tried to ‘sell’ it to any interested artists through our publishers but they were getting no interest. I loved it at this point but felt it was a little too safe for Razorlight.”

Built around a driving bass riff and featuring a group vocal on the chorus, ‘Lost In America’ offers a more straightforward, uptempo take on the song than the familiar single, with an alternate, more romantic lyrical perspective running through it. The track is available now on Spotify, Apple Music and other streaming platforms.

image 5

The band’s classic four-piece line-up will perform Razorlight in full on the anniversary tour, including staples ‘In The Morning’, ‘Before I Fall To Pieces’ and ‘I Can’t Stop This Feeling I’ve Got’, alongside deeper cuts such as ‘Hold On’, ‘Who Needs Love’ and ‘Kirby’s House’. It’s not the first time the band have marked one of their album anniversaries on stage, having previously performed Up All Night in full at Kaiser Chiefs’ 20th anniversary Employment show in Leeds.

The UK and Ireland leg touches down at Glasgow’s O2 Academy on 26 November, before dates in Newcastle, Wolverhampton, Leeds, Nottingham, Manchester, London’s OVO Arena Wembley, Bristol, Belfast and Dublin, with a run of European shows either side. Tickets are available at www.razorlightofficial.com.

Razorlight’s 2026 touring schedule has already been building steadily, with the band recently confirmed to headline alongside James at Belladrum Tartan Heart Festival and set to play Neighbourhood Weekender in Warrington this May. The band’s debut album, Up All Night, went four-times platinum, selling 1.2 million copies in the UK, and in the years since Razorlight have connected with a new generation of fans, now averaging more than 1.6 million monthly Spotify listeners.

Their career achievements include a UK No. 1 album, a Number 1 single, three UK Top 5 albums, two multi-platinum albums and eight UK Top 20 singles. As well as the UK, Ireland and European dates, Razorlight will also tour Australia and New Zealand in October, including shows with James in Perth, Sydney, Melbourne and Brisbane.

Razorlight 20th anniversary tour dates:

  • Sat 3 Oct – Powerstation, Auckland
  • Sun 4 Oct – Meow Nui, Wellington
  • Tue 6 Oct – Max Watts, Melbourne
  • Thu 8 Oct (with James) – Red Hill Auditorium, Perth
  • Sat 10 Oct (with James) – Hordern Pavilion, Sydney
  • Sun 11 Oct (with James) – MCA, Melbourne
  • Tue 13 Oct (with James) – Fortitude Music Hall, Brisbane
  • Thu 23 Oct – Kägelbanen, Stockholm, Sweden
  • Sun 25 Oct – Tavastia, Helsinki, Finland
  • Tue 27 Oct – John Dee, Oslo, Norway
  • Wed 28 Oct – Pumpehuset, Copenhagen, Denmark
  • Fri 30 Oct – Kantine, Cologne, Germany
  • Sat 31 Oct – Mühle Hunziken, Rubigen, Switzerland
  • Sun 1 Nov – La Madeleine, Brussels, Belgium
  • Tue 3 Nov – Roxy, Prague, Czech Republic
  • Wed 4 Nov – Technikum, Munich, Germany
  • Thu 5 Nov – Simm City, Vienna, Austria
  • Sat 7 Nov – Kammgarn, Schaffhausen, Switzerland
  • Sun 8 Nov – Trianon, Paris, France
  • Tue 10 Nov – Den Atelier, Luxembourg City, Luxembourg
  • Wed 11 Nov – Melkweg, Amsterdam, Netherlands
  • Fri 13 Nov – Rolling Stone Beach Festival, Germany
  • Sat 14 Nov – Heimathafen Neukölln, Berlin, Germany
  • Sun 15 Nov – Circolo Magnolia, Milan, Italy
  • Tue 17 Nov – Moon, Valencia, Spain
  • Wed 18 Nov – Wolf, Barcelona, Spain
  • Fri 20 Nov – Grand Mix, Tourcoing, France
  • Thu 26 Nov – O2 Academy, Glasgow, UK
  • Fri 27 Nov – O2 City Hall, Newcastle, UK
  • Sat 28 Nov – The Civic Hall, Wolverhampton, UK
  • Mon 30 Nov – O2 Academy, Leeds, UK
  • Tue 1 Dec – Rock City, Nottingham, UK
  • Thu 3 Dec – O2 Victoria Warehouse, Manchester, UK
  • Fri 4 Dec – OVO Arena Wembley, London, UK
  • Sat 5 Dec – The Prospect Building, Bristol, UK
  • Tue 8 Dec – Hedon, Zwolle, Netherlands
  • Wed 9 Dec – Nieuwe Nor, Heerlen, Netherlands
  • Sun 13 Dec – Telegraph, Belfast
  • Mon 14 Dec – 3Olympia, Dublin

Image credits:
In this article: Razorlight, Johnny Borrell, Razorlight, Kaiser Chiefs, Leeds, Tartan Heart Festival, James, Neighbourhood Weekender, Warrington, Spotify, Apple Music, Wembley Arena, London, Glasgow, Newcastle upon Tyne, Wolverhampton, Nottingham, Manchester, Bristol, Belfast, Dublin. Generated by Wikidata Schema Link Builder.
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

17th July 2026 0 comments
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Royal Albert Hall building external
Music

Royal Albert Hall named UK’s most accessible music venue in new study

written by Aiden Baxter
UK Music Venue Accessibility Rankings infographic
Click to zoom

London’s Royal Albert Hall has been named the UK’s most accessible music venue, according to a new study analysing prominent gig venues across the country on factors including step-free entrances, hearing loops, wheelchair viewing areas and companion tickets.

The research, carried out by experts at Betstrike, scored 20 major UK venues out of 100 based on their accessibility provisions. Royal Albert Hall topped the table with 89.4, ahead of London’s Southbank Centre on 85.3 and Liverpool Philharmonic Hall on 84.6, while Glasgow’s Barrowland Ballroom finished last with a score of just 30.6.

Royal Albert Hall met every accessibility criterion assessed except for wheelchair capacity, where it offers four wheelchair spaces per 1,000 seats. The venue has previously hosted the Teenage Cancer Trust concert series, including the 2026 line-up curated by Robert Smith, and will also host Freya Ridings’ UK tour finale on 5th October this year.

Southbank Centre placed second with a score of 85.3, offering eight wheelchair spaces per 1,000 people alongside accessible seating, entrances, toilets, ramps, lifts, hearing loops, audio description and assistance-animal access, though accessible parking and a dedicated sensory suite were not identified at the venue.

Liverpool Philharmonic Hall rounded out the top three with 84.6, providing four wheelchair spaces per 1,000 people along with a full suite of accessible seating, entrances, toilets, ramps, lifts, audio description, assistance-animal access, companion tickets and accessible parking.

Elsewhere in the rankings, Belfast’s SSE Arena and Birmingham’s Resorts World Arena took fourth and fifth place respectively, while Aberdeen Music Hall and Darlington Arts Centre tied for the highest proportion of wheelchair spaces in the study, each offering 20 per 1,000 capacity.

James Roy, Technical Director at Brainworks Neurotherapy, said improved accessibility can have a significant impact on disabled fans’ mental wellbeing. “Enhancing accessibility in venues can significantly bolster mental health by fostering inclusivity and reducing barriers to participation,” he said. “When venues accommodate diverse needs, individuals with disabilities feel valued and empowered, leading to increased self-esteem, social engagement and a sense of belonging.”

Roy added that toilet accessibility in particular plays a crucial role. “Ensuring toilet accessibility is crucial for the mental wellbeing of disabled people, providing them with the dignity and independence to attend events without the worry or stress of inaccessible facilities,” he said, noting that sensory-friendly design can also benefit attendees with conditions such as ADHD by reducing sensory overload.

The study assessed venues above 1,000 capacity using a seed list drawn from sources including Timeout, Stereoboard, Meet Me At The Pyramid Stage and PRS for Music. Researchers examined accessible seats, ramps, lifts, toilets, entrances, ticket counters, wheelchair viewing areas, hearing induction loops, audio description, assistance-animal policies, sensory suites, parking and carer tickets, sourcing information from venue websites and accessibility phone lines between 20th and 27th February 2024.

Royal Albert Hall building external

Image credits:
In this article: Royal Albert Hall, Southbank Centre, Philharmonic Hall, Barrowland Ballroom, Glasgow, London, Liverpool, Wembley Arena, Belfast, bp pulse LIVE, Birmingham, Aberdeen, Darlington Arts Centre, Darlington, Teenage Cancer Trust, Robert Smith, Freya Ridings, attention deficit hyperactivity disorder, Stereoboard, PRS for Music. Generated by Wikidata Schema Link Builder.
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

17th July 2026 0 comments
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ManranStephenKara1
Live coverage

Mànran and Peatbog Faeries open HebCelt with celebrity guests

written by Aiden Baxter

HebCelt Festival got off to a sun-soaked start in Stornoway on Thursday, with Mànran, FARA and Peatbog Faeries kicking off proceedings alongside an unlikely cast of celebrity guests including a Traitors winner and a Commonwealth Games swimmer.

Traitors champion Stephen Libby and swimming star Kara Hanlon received a rapturous welcome from the crowd when they walked out onto the main stage carrying the King’s Baton, part of its journey towards Glasgow’s Commonwealth Games next week. The pair had earlier led a parade through Stornoway, backed by the town’s pipe bands and a guard of honour from the local shinty team.

Also joining the celebrations were Pacific crossing record breakers The Maclean Brothers, who rowed across The Minch from Ullapool overnight, succeeding on their third attempt at the crossing just in time to make the festival’s opening night.

The baton, which carries a handwritten message from the King ahead of the Commonwealth Games, was winched off CalMac’s MV Loch Seaforth the previous evening as it crossed from Ullapool, to the delight of watching passengers. Kara and Stephen received it safely on the quayside before parading it on stage with Mànran and Gary Innes after the band’s first five songs, capping the moment with a giant selfie alongside the crowd.

“I’ve been coming to HebCelt now since I was a wee boy, so to be part of this year’s festival in a small way, but in a very special way, is a real pinch me moment,” said Stephen. “I really cannot believe this is happening to me, and for this to be done on home turf is just really special.”

Kara Hanlon and Stephen Libby at HebCelt parade 1
Kara Hanlon and Stephen Libby

Kara, who represented Scotland at the 2022 Commonwealth Games and recently retired from competitive swimming, said the moment was the perfect way to close out her career. “HebCelt has been a huge part of my upbringing every summer, with friends and family,” she said. “I represented Scotland at the Commonwealth Games in 2022 and I just missed out this year, and I’ve actually just retired from the sport, so this is a perfect way of rounding off everything I’ve achieved in my career.”

The Maclean Brothers had set off on their crossing after cheekily asking HebCelt organisers if they could join the festival, who promised the trio a pint if they made it in time, delivering in front of Lews Castle as promised. “We just can’t wait to see some of our favourite bands, Valtos are a big favourite of all three of us, Mec Lir, Peatbog Faeries, Beinn Lee is going to be epic, and Mànran,” said Lachlan. Ewan added: “We’re so excited we made it, because there was a good chance we weren’t going to make it to be honest, because we’ve been turned back before, but we’re here.”

Peatbog Faeries 2 cr HebCelt
Peatbog Faeries

Peatbog Faeries’ appearance on the opening bill continues a long association with the festival, with the Celtic fusion pioneers having been inducted into the HebCelt Hall of Fame in 2010. Beyond the main stage, Thursday’s celebrations spread across the town, with family concerts in the town hall, Highland dancing in the town centre, street performances, a circus and a late-night ceilidh, alongside sets from Old Man Luedecke, Beinn Lee, Corina Macinnes and Alice Macmillan.

Friday’s line-up shifts focus to The Mary Wallopers, Valtos, Heisk, The Tumbling Souls and Sean Harrison and Band, alongside Colin Macleod, Kirsten Adamson and Emberline. Limited tickets remain on sale at hebceltfest.com.

Hebcelt 2026:

  • Mànran and Peatbog Faeries open HebCelt with celebrity guests
  • Maclean Brothers row through the night to reach HebCelt Festival
SAR948 MC Loch Seaforth 5 cr HebCelt

Image credits: Hebcelt
In this article: Peatbog Faeries, Stornoway, Commonwealth Games, Glasgow, The Minch, Ullapool, Caledonian MacBrayne, MV Loch Seaforth, The Mary Wallopers, Isle of Lewis, Outer Hebrides, Scotland. Generated by Wikidata Schema Link Builder.
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

16th July 2026 0 comments
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Leeds 2025 main stage fireworks
News

Reading & Leeds unveils biggest ever staging overhaul with six new arenas

written by Aiden Baxter

Reading Festival has officially sold out for 2026, with only limited Sunday day tickets remaining, as organisers confirm the biggest staging and arena overhaul in the event’s 37-year history. Pepsi MAX presents Reading & Leeds Festival will introduce six brand new stages across both sites when the twin weekender returns to Richfield Avenue and Bramham Park from 27 to 30 August 2026.

The overhaul arrives on top of an already stacked bill topped by Charli xcx, Chase & Status, Dave, Florence + The Machine, Fontaines D.C. and RAYE, the first time in 25 years the festival has fielded an all-British and Irish headline roster. Leeds will also make history this year, with Kasabian confirmed as the first ever Thursday night headliners at Bramham Park.

The six new stages are named The Grid, The Gallery, The Warehouse, The Canopy, The Ballroom and The Yard, each with its own distinct identity. The Grid takes over as the festival’s main stage and headline home, hosting the six chart-topping headliners alongside Sombr, Skepta, Role Model, Loyle Carner (Reading only) and Blossoms (Leeds only).

The Gallery, presented by Budweiser, is a brand new undercover immersive stage featuring innovative LED screens and production throughout. It will host sets from Josh Baker, Geese, Kneecap, Skye Newman and Holly Humberstone, with Chris Stussy joining at Reading and Jamie Webster, The K’s and Rose Gray added to the Leeds bill.

The Warehouse, previously confirmed as a purpose-built home for dance music, returns with viewing platforms and huge screen production, hosting special sets including Skepta b2b Prospa, Hybrid Minds, Hedex and Silva Bumpa. Max Dean will go b2b with both Luke Dean and Bou across the weekend, in what organisers describe as the first ever custom-built, experiential dance stage at Reading and Leeds.

Pepsi MAX presents Leeds Festival 2026 poster
Click to zoom

For the first time in the festival’s history, a transformed stage called The Ballroom will bring chandeliers and draping to the site, hosting breakthrough sets from YT, Florence Road, Niko B, Paris Paloma, Bassvictim, Bleech 9:3, dexter in the newsagent and Chloe Qisha among others. The Canopy, meanwhile, continues the festival’s tradition of championing new music, welcoming Violet Grohl, Villanelle, Camille Blackman, Finessekid and Cruz Beckham and The Breakers.

The Yard, exclusive to Reading, brings an industrial edge to the site with an open-air layout built from shipping containers, offering something organisers say is unlike any other stage at the festival. In Leeds, the new stages sit alongside returning fan favourites LS23 and Piccadilly Circus, with full programming for both to be revealed in the coming weeks.

Elsewhere on the bill, sombr, Jade, Declan McKenna, Maisie Peters, Keo, James Marriott, Kettama, The Lathums, Slayyyter and Nine Vicious are among the acts confirmed across the weekend, alongside many more still to be announced. With Reading now completely sold out for weekend tickets, Leeds Festival remains the only opportunity for fans to secure the full four-day experience this summer, and organisers are urging ticket buyers to act quickly to avoid missing out entirely.

Pepsi MAX presents Reading Festival 2026 poster
Click to zoom

Image credits: Matt Eachus
In this article: Reading and Leeds Festivals, Pepsi Max, Bramham Park, Charli XCX, Chase & Status, Dave, Florence + the Machine, Fontaines D.C., Raye, Kasabian, Sombr, Skepta, Role Model, Loyle Carner, Blossoms, Budweiser, Geese, Kneecap, Skye Newman, Holly Humberstone, Chris Stussy, Jamie Webster, The K’s, Rose Gray, Hedex, Luke Dean, Florence Road, Niko B, Paris Paloma, Bassvictim, Bleech 9:3, dexter in the newsagent, Chloe Qisha, Violet Grohl, Cruz Beckham, The Breakers, Declan McKenna, Maisie Peters, KEO, James Marriott, Kettama, The Lathums, Slayyyter, Nine Vicious. Generated by Wikidata Schema Link Builder.
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

16th July 2026 0 comments
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image 4
Features

Indonesia’s Best Football Stadiums and Their Impact on the National Team

written by Taylor Bradshaw

Indonesia football stadiums are no longer just backdrops for noise; they are part of the national-team project. Gelora Bung Karno, Jakarta International Stadium, Gelora Bung Tomo, Si Jalak Harupat, and Manahan have all carried major football moments, from Asian qualifiers to the 2023 FIFA U-17 World Cup. For the Indonesia national football team, the venue changes the match: crowd density, grass quality, travel distance, warm-up space, and camera pressure all affect performance. A stadium can lift a player. It can also expose a federation.

Gelora Bung Karno Still Sets the Standard

Gelora Bung Karno remains the emotional center of Indonesian football, with a listed capacity of 77,193 and a long history as the national team’s Jakarta stage. Indonesia’s 0-0 draw against Australia in September 2024 showed its value: Australia had more possession and corners, but Indonesia’s compact block survived in front of a crowd reported as almost 80,000. A small detail mattered that night: Maarten Paes managed the box calmly, and the back line kept distances short between center backs and wing-backs. Big stadiums can make defending feel like an event.

JIS Shows the New Ambition

Jakarta International Stadium points toward the next version of football stadium Indonesia planning, with an 82,000-seat scale and a design built for modern events. FIFA selected JIS as one of four stadiums for the 2023 U-17 World Cup, alongside Gelora Bung Tomo, Si Jalak Harupat, and Manahan. That tournament gave Indonesia a test run in match operations, media flow, team transport, and pitch turnover. The national team benefits when those systems become normal rather than special.

Match Nights Also Create a Second Screen

Major fixtures create a digital crowd around the physical one. A packed GBK qualifier can send fans from lineups to odds, then to highlights, then to other entertainment once the match ends. If someone moves from a match forecast into an online casino session, the relevant checks shift toward RTP, wagering rules, session length, payment limits, and account verification rather than corners, xG, or substitutions. That separation protects the football read because a tense 1-0 or a late equalizer should not become a reason to ignore bankroll limits. The stadium supplies emotion; the screen needs restraint.

Manahan Proved Smaller Can Still Be Sharp

Manahan Stadium in Surakarta did not need 70,000 seats to matter. FIFA used it for the U-17 World Cup semi-finals and final in 2023, which showed how a smaller venue can handle pressure when access, pitch condition, and operations are controlled. For youth players, that matters because international football starts with routines: walkout timing, warm-up zones, mixed-zone questions, and a referee crew that allows little protest. A polished 20,000-seat night can teach more than a chaotic giant.

Casino Timing Should Not Shape the Football Read

The best stadium nights create emotional spikes, especially when Indonesia scores early or survives a late set piece. A user opening a live casino lobby after a qualifier is no longer reading team shape; the product depends on dealer pace, table limits, game rules, and live-stream stability. Those details are legitimate casino mechanics, but they should not be confused with whether Indonesia’s midfield can hold a double pivot against Japan or South Korea. Football analysis must stay with the grass.

Safety Is Part of Football Infrastructure

Any serious discussion of football infrastructure in Indonesia has to pass through Kanjuruhan Stadium. FIFA’s 2025 PSSI safety workshop referenced the October 2022 disaster in East Java, where 135 people died, and tied later work to safety and security reform. That tragedy cannot be treated as background because stadium trust affects away fans, family attendance, Liga 1 Indonesia scheduling, and the country’s hosting credibility. The small observation is practical: evacuation routes, stewarding lines, and gate flow matter before the first corner is taken.

Hosting Ambition Needs Betting Discipline Too

International hosting brings more attention to national-team matches, Liga 1 venues, and tournament forecasting. When Indonesia plays a qualifier at GBK or JIS, MelBet Indonesia can sit inside the match-night routine for users checking pre-match odds, live markets, cash-out status, and account controls before placing anything. The safer pattern is to make the bet before the crowd noise distorts the read, then avoid changing the stake after one dangerous cross or one VAR delay. That kind of discipline fits the direction of Indonesian football: bigger stages, better systems, fewer chaotic decisions.

The Stadium Race Is Really a Trust Race

The best stadiums give Indonesia more than seats. They give coaches reliable training conditions, players clean pitches, fans safer movement, and organizers proof that international events can return. If GBK remains the national stage, JIS expands the hosting horizon, Manahan sharpens youth-event credibility, and Gelora Bung Tomo keeps Surabaya in the conversation, Indonesian football has a stronger base than it had a decade ago. The whistle still decides the night, but the stadium decides how prepared the country looks when it blows.

16th July 2026 0 comments
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