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Oasis Liam Noel
Gigs

Etihad tickets average £874 as Oasis resale prices climb

written by Sam Warrenger

Just days after the Oasis Live ’27 on-sale, UK ticket listings are averaging £799 across all 22 UK shows. That is 13% higher than the £706 average across the tour’s 20 shows in Europe, Ireland and the US, a new SeatPick analysis has found.

Manchester is the most expensive stop on the entire tour, UK or overseas. Listings for the Etihad Stadium are averaging £874, 31% more than Glasgow’s £666, a gap of £208. The dearest individual listing for a UK show is also in Manchester, at £13,978.

The Gallaghers announced the 2027 run on 14 September. There was no general sale. Fans had to register for a unique, non transferable code, a scramble already clear when Live ’27 registration was closing. UK tickets then went on sale across Friday 25, Saturday 26 and Sunday 27 September, in staggered windows. SeatPick had earlier predicted a Monday presale. The band did not go that way.

Face value tickets were fixed, from £71.50 to £266.60, a deliberate break from the dynamic pricing row that overshadowed the Live ’25 on-sale. An estimated 14 million people tried to buy tickets for that reunion. The 2027 tour has since sold out across all 42 shows, with no further dates to be added, which is why the market fans are looking at now is resale.

The UK leg is three venues. Five nights at Celtic Park in Glasgow, 11 at the Etihad, and six at Knebworth Park. Two of the Hertfordshire dates, 25 and 26 September, were added after registration, along with extra shows in Munich and Rome.

Oasis Live ’27 UK dates

  • Friday 21 May 2027: Celtic Park, Glasgow
  • Sunday 23 May 2027: Celtic Park, Glasgow
  • Tuesday 25 May 2027: Celtic Park, Glasgow
  • Friday 28 May 2027: Celtic Park, Glasgow
  • Saturday 29 May 2027: Celtic Park, Glasgow
  • Friday 4 June 2027: Etihad Stadium, Manchester
  • Sunday 6 June 2027: Etihad Stadium, Manchester
  • Tuesday 8 June 2027: Etihad Stadium, Manchester
  • Friday 11 June 2027: Etihad Stadium, Manchester
  • Saturday 12 June 2027: Etihad Stadium, Manchester
  • Tuesday 15 June 2027: Etihad Stadium, Manchester
  • Friday 18 June 2027: Etihad Stadium, Manchester
  • Saturday 19 June 2027: Etihad Stadium, Manchester
  • Tuesday 22 June 2027: Etihad Stadium, Manchester
  • Friday 25 June 2027: Etihad Stadium, Manchester
  • Saturday 26 June 2027: Etihad Stadium, Manchester
  • Saturday 11 September 2027: Knebworth Park, Stevenage
  • Sunday 12 September 2027: Knebworth Park, Stevenage
  • Saturday 18 September 2027: Knebworth Park, Stevenage
  • Sunday 19 September 2027: Knebworth Park, Stevenage
  • Saturday 25 September 2027: Knebworth Park, Stevenage
  • Sunday 26 September 2027: Knebworth Park, Stevenage

Average Oasis Live ’27 ticket price by UK venue

RankVenueShowsAverage ticket price
1Etihad Stadium, Manchester11£874
2Knebworth Park, Stevenage6£772
3Celtic Park, Glasgow5£666
All UK shows22£799

Oasis’s hometown run leads the prices. The priciest Etihad night averages £929 a ticket, and eight of the 11 Manchester shows average more than £850. The £13,978 listing sits on a Manchester date.

Knebworth is next. The average across all six shows is £772, with the dearest night at £843. That is more than £700 a seat to go back to the site of the 1996 gigs, which drew more than 100,000 fans a night. Demand for the return has pushed listings well above the UK norm.

Celtic Park is the cheapest of the three UK venues, at £666 across five nights. That is still more than £660 a ticket. Its priciest night averages £702.

Gilad Zilberman, CEO of SeatPick, said: “Oasis fans have waited a long time for this, and the prices reflect it. Across the UK dates the average ticket is £799, and at the Etihad it’s £874. The tour is built around Manchester, and the market is pricing it that way.”

He added: “With Knebworth averaging £772 and listings stretching into five figures at the top end, anyone chasing a ticket should check the price carefully before they buy. Compare listings across dates and venues, because the gap between one night and the next can run to hundreds of pounds.”

Image credit: Will Fresch / (CC BY-SA 2.0)

2nd October 2026 0 comments
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Knives NNUTS Press Shot1
New Releases

Knives announce second album Nothing New Under the Sun

written by Sam Warrenger

Bristol six-piece Knives have announced their second album, Nothing New Under the Sun, due on 5 March 2027 via Marshall Records. The first track from the record, Vermillion, is out today. Listen to it here, and pre-order the album here.

It is the first new music from the album, and it arrives ahead of a busy few months. After 2025 debut Glitter, and a run of shows with The Callous Daoboys, Bob Vylan, The Armed and Maruja, Knives head back out this October as special guests on Cancer Bats’ UK Made of Loud Tour.

Those dates were first set out as part of Marshall’s Made of Loud Tour, which also puts Ignite on the bill and puts money into upgrades at independent venues. Knives have said they would never have got here without rooms like that, including early shows at Moles in Bath, which closed in 2023.

Vermillion turns on a question the band say runs through much of the new record: when all is said and done, can you stand by the choices you have made? Nothing New Under the Sun was shaped by long stretches on the road, late night conversations, and the uncertainty that comes with trying to make sense of the world.

Where Glitter introduced the band, the follow-up digs further in. Lyrics take on climate anxiety, grief, consumerism, media influence, and the consequences of personal and collective action.

Knives said: “Vermillion is centred around the idea of consequence. It’s about trying to live in a way that reflects your values, knowing that every decision you make affects not only yourself but the people around you. The song asks whether the things we leave behind are something we can truly be proud of.”

A video for the single is up on YouTube. Before the album arrives on 5 March 2027, Knives spend October on the road with Cancer Bats. Tickets are on sale via Cancer Bats.

Made of Loud Tour 2026 dates:

  • 12 October: Dover, The Booking Hall
  • 13 October: Brighton, Chalk
  • 16 October: Falmouth, Princess Pavilion
  • 17 October: Southampton, Joiners
  • 18 October: Plymouth, The Depo
  • 20 October: Bristol, The Fleece
  • 21 October: Cardiff, Clwb Ifor Bach
  • 22 October: Milton Keynes, Craufurd Arms
  • 24 October: Birmingham, Asylum
  • 25 October: Manchester, Gorilla
  • 26 October: Newcastle, Anarchy Brew Co
  • 28 October: Glasgow, King Tut’s Wah Wah Hut
  • 29 October: Leeds, The Key Club
  • 30 October: Nottingham, Rescue Rooms
  • 31 October: London, Electric Brixton
MOL Tour 2026
Click to zoom

Nothing New Under the Sun tracklist:

  1. Vermillion
  2. Every Shade in Your Hue
  3. Helm of the Host
  4. MKC
  5. Janus Sold Me a Broken Promise
  6. Sterling
  7. Mea Culpa
  8. Lip Glossip
  9. We’re Getting Further From the Truth
  10. Glue
  11. In Between the Gap

Rooted in Bristol’s alternative scene, the album builds on Glitter. The six members come from hardcore, post-punk, noise rock, nu-metal, electronic music and dance culture, and the band have never been interested in staying inside one scene. Across the new record, saxophone, electronics, heavy guitars and melody sit with lyrics that look at personal experience and wider social issues.

The line-up is Jay Schottlander (lead vocals), Erin Cook (drums), Josh Cook (guitar), Dan Farren (guitar and vocals), Ben Marshall (bass and vocals) and Tegan O’Connor (saxophone and vocals).

Knives are on Instagram, Facebook, Spotify and Apple Music.

Knives NNUTS Compressed 3000x3000 1
Nothing New Under The Sun cover art
2nd October 2026 0 comments
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London Vegan Fayre 2026 banner
Tickets

London Vegan Fayre 2026 tickets now on sale

written by Sam Warrenger
London Vegan Fayre 2026 banner

The London Vegan Fayre returns to Kensington Town Hall on Saturday 5 December 2026, and tickets are on sale now at £8 plus a booking fee. A buy one get one free offer runs through October. Children under 16 are admitted free. Organised by VegfestUK, the show runs from 10am to 6pm at Hornton Street, London W8 7NX.

Organisers expect up to 1,500 people for a seasonal day of food, shopping and entertainment. The event takes in a Main Hall marketplace, a vegan food foyer and a main stage for performances, celebrity interviews and presentations, plus two talks rooms on plant-based lifestyles and on animal rights and activism. It follows last December’s edition at the same venue, which also opened with an early two for one ticket offer.

After the October offer ends on 31 October, a buy one, get one half price deal runs through November. Advance tickets then go to full price from 1 December. Door tickets are £10, subject to availability. Tickets are on sale through the VegfestUK website. Kensington High Street Tube is about two minutes from the hall, and paid parking is available under the venue. Dogs are not permitted.

“Expect lots of food including options with a seasonal twist, some truly outstanding artisan plant-based food providers and an emphasis on fun, food, entertainment and enjoyment as much as anything,” organisers said. “It’s a great time of year to gather and celebrate the best of the vegan way of life, great company, some fabulous stalls, excellent gift ideas coupled with inspiration, education and an uplifting energy at just the right time before the holiday season kicks in.” They said everyone is welcome, from long term vegans to people completely new to the lifestyle, and that many visitors leave with a favourable impression of plant-based options, with some making significant lifestyle changes afterwards.

London Vegan Fayre 2026 line up poster
Click to zoom

Names booked to speak or perform include world record holder and entrepreneur Heather Mills, and international singer Gemma Doyle. Sean Gifford, the new CEO of Animal Aid, will join compere and host Karin Ridgers for a chat, and the recently formed Vegan Womens Club will close the stage at the end of the day. Around 15 talks are also planned, including plant-based diets for companion animals, the power of medicinal mushrooms, food security in the UK, and vegan strongman Carlos Barbon on how to build and maintain muscle on a plant-based diet.

The Animal Rights and Activism room includes Sue Joyce from Little Green Pigeon, Dr Arielle Griffiths from Just Be Kind Dog and Cat Food, which is also sponsoring the show, Dr Ishani Rao with “Choosing Compassion: Surviving Burnout in Vegan Activism”, and Simon Russell, chair of the Hunt Sabs Association. The Plant Based Lifestyles room has Juliette Bryant of All You Need Superfoods on mushrooms and food security, presentations from the Plant Based Treaty and Plant Based Schools, and Plant Based Susy with “The Health Plan You Can Afford”. The wider programme is on the London Vegan Fayre page.

The food foyer will host 12 street food caterers and artisan producers, within a show of more than 100 traders. Confirmed names include Chappers Cheesecake, No Moo Bakes, Teatime Collective, Vegan Sweet Tooth, Bite, Gillie Foods, Joys Caribbean Fusion, Monkeys Munchies and Kuljots Kitchen, with drinks from Master Coffee Co and Seijaku Matcha, and handmade items such as Happy Sprout quiche. The trader list is on the VegfestUK website.

The event is sponsored by Animal Aid, which marks its 50th anniversary in 2026. The charity will run a stall, host talks and discussions, and admit members free for a get together before Christmas. “Animal Aid are excited to be returning to the London Vegan Fayre 2026 and proud to be supporting the event as sponsors once again,” said Michelle Masterton-Smith, head of campaigns and communications at Animal Aid. “It’s one of the events we look forward to most, bringing together an inspiring community dedicated to positive change for animals. For us, it’s a fantastic opportunity to connect with supporters, reach new audiences and be part of the energy and enthusiasm that make Vegfest such a special event year after year.” Other sponsors are Just Be Kind Dog and Cat Food, Vegan Accountants, Mad Promotions, Yaoh Hemp Products and Out of Hand.

2nd October 2026 0 comments
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N Dubz press shot
Gigs

N-Dubz announce huge UK arena tour for 2027

written by Sam Warrenger

N-Dubz have announced a UK arena tour for 2027. Tulisa, Dappy and Fazer will return to major venues across February and March for The Legacy Tour, performing in the round for the first time.

The Camden trio are marking two decades of hits with a 360° arena production, built to put the audience closer to the stage than on previous runs. The set is due to take in the singles that made them a household name, fan favourites, and songs from Timeless, their first studio album in more than a decade.

The run opens at Glasgow’s OVO Hydro on Thursday 25 February, then moves through Newcastle, Sheffield, Nottingham, London, Cardiff and Manchester. It closes at bp pulse LIVE in Birmingham on Wednesday 10 March.

Artist presale tickets go on sale at 10am on Wednesday 7 October. Access is via sign-up at aegpresents.co.uk/n-dubz-2027. General sale starts at 10am on Friday 9 October through aegpresents.co.uk/event/n-dubz. VIP ticket experiences are available at eventtravel.com.

N Dubz The Legacy Tour Poster 819x1024 1

The Legacy Tour 2027

  • Thursday 25 February: OVO Hydro, Glasgow
  • Saturday 27 February: Utilita Arena, Newcastle
  • Sunday 28 February: Utilita Arena, Sheffield
  • Monday 1 March: Motorpoint Arena, Nottingham
  • Thursday 4 March: The O2, London
  • Sunday 7 March: Utilita Arena, Cardiff
  • Tuesday 9 March: Co-op Live, Manchester
  • Wednesday 10 March: bp pulse LIVE, Birmingham

Formed in Camden in 2000, N-Dubz came out of the UK grassroots scene and became one of the defining pop-rap acts of the late 2000s, mixing hip-hop, R&B, grime and pop. Their 2008 debut, Uncle B, produced Papa Can You Hear Me?, I Swear and Better Not Waste My Time. Against All Odds followed in 2009, reaching number six on the UK Albums Chart. Both of those first two albums were later certified platinum.

That second album also delivered I Need You, and Playing with Fire with Mr Hudson, which won them a MOBO for Best Song in 2010. Number 1, their collaboration with Tinchy Stryder, went to number one on the UK Singles Chart and has since been certified double platinum. Love.Live.Life arrived in late 2010 and added two further UK top ten singles, We Dance On and Best Behaviour.

Across that run they picked up four MOBO Awards: Best Newcomer in 2007, Best Album and Best Act in 2009, and Best Song in 2010. They also won an O2 Silver Clef Award in 2009 and were nominated for Best British Single at the BRITs in 2010. From 2006 to 2012 they were a near-constant presence on the UK charts and in the UK media.

After an 11-year hiatus, the group returned in 2022. The Back to the Future Tour sold out across the UK, and Timeless then reached the UK Albums Chart top 10. The Legacy Tour is framed as a live sweep of that whole story, from the late-2000s hits to the music of the comeback.

2nd October 2026 0 comments
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Features

Why People Still Prefer Physical Casinos Over Online Gambling

written by Taylor Bradshaw

Online gambling has transformed the casino industry. A person can now access slot games, blackjack, roulette and other forms of gambling from a computer or smartphone without traveling to a casino. The convenience is obvious, and research has identified accessibility, comfort and 24/7 availability as important characteristics of internet gambling. Yet despite this shift toward digital platforms, physical casinos continue to attract people who prefer the traditional gambling experience.

Part of that appeal can be found in the difference between playing a game online and actually visiting a casino. For players exploring different forms of online gambling, websites such as Slotsvader Casino represent the digital side of the industry. A physical casino, however, offers something that a website cannot fully reproduce: a location, atmosphere and shared experience in which gambling becomes part of a broader social outing.

The Casino Is More Than the Game

For many visitors, gambling is only one component of a night at a casino.

A physical casino combines gaming with restaurants, bars, entertainment, hotels, live performances and social interaction. The result is closer to an evening out than simply opening an application and playing a few rounds of roulette or spinning an online slot.

This distinction matters because gambling motivations are not exclusively financial. Research examining gambling motivations has identified socializing and enhancement or excitement among the reasons people participate. A systematic review of online gambling research also found that people who gamble for social reasons or for enjoyable social encounters are more likely to belong to the land-based gambling group.

The physical environment therefore becomes part of the product.

Social Interaction Still Matters

One of the clearest differences between land-based casinos and online gambling is the presence of other people.

At a roulette table, players sit together and react to the same outcomes. At a blackjack table, conversations can develop between strangers, players and dealers. Even slot-machine areas can create a sense that other people are participating in the same activity.

A study of customers at Australian land-based casinos found that social interaction was an important factor associated with casino visiting behavior. The researchers specifically noted that people motivated by social interaction were more likely to visit land-based casinos than participate in online gambling.

That does not mean every casino visitor is looking for conversation. Some people may prefer to play alone. But the possibility of spontaneous interaction is fundamentally different from the typical online gambling experience.

The Atmosphere Creates a Different Experience

There is also something difficult to replicate digitally: the atmosphere of a physical casino.

Lighting, music, architecture, sounds from table games, conversations between players and dealers, the movement of people around the gaming floor and the design of the interior all contribute to the experience.

Online casino software can reproduce visual elements of traditional games, but the surrounding environment is fundamentally different. A person playing roulette on a phone is usually sitting in an ordinary environment such as a bedroom, living room or train. At a physical casino, the environment itself is designed around entertainment.

This is one reason casino visits can feel like an occasion rather than an ordinary digital activity.

Going to a Casino Creates a Sense of Occasion

Convenience is one of online gambling’s greatest advantages, but convenience can also make an activity feel routine.

A physical casino requires preparation. You have to decide to go, travel to the venue, enter the building and spend time there. That process separates gambling from the rest of your day.

For some people, this makes a casino visit feel more intentional. It can become part of a birthday celebration, vacation, weekend trip or evening with friends.

The distinction is particularly interesting because research into gambling behavior suggests that land-based and online gambling can be associated with different motivations. Social and entertainment-oriented motivations appear more strongly connected with land-based gambling, while studies of online gambling frequently identify factors such as convenience, financial motivation and coping among online gamblers.

The Human Element of Table Games

Technology has become extremely good at reproducing casino games, but table games still have a human element that many players appreciate.

A live dealer can explain procedures, interact with players and maintain the rhythm of the game. At a physical table, that interaction happens naturally rather than through a video stream or digital interface.

For experienced players, this can be particularly important. The attraction may not simply be whether the roulette wheel or blackjack cards are available. It can be the ritual of sitting at a table, placing chips down and watching the dealer conduct the game.

In this sense, a casino visit resembles other forms of live entertainment. People do not necessarily attend a concert because recorded music is unavailable. They go because experiencing it in person is different.

Physical Casinos Offer a Break From Screens

Another reason some people continue to choose land-based casinos is surprisingly simple: they want to spend less time looking at a screen.

Modern life already involves phones, laptops, tablets and televisions for much of the day. Online gambling adds another activity to that digital environment.

A physical casino provides a change of setting. Instead of interacting with an interface, visitors interact with physical objects, dealers and other customers.

This distinction is not necessarily about technology being good or bad. It is about the type of experience people want. Someone who values convenience may prefer online gambling, while someone who enjoys getting out of the house may find a physical casino more engaging.

The Ritual of Physical Gambling

Traditional casino gambling has a strong element of ritual.

There is the preparation before going out, the arrival at the casino, exchanging money for chips, choosing a table and observing how a game is played. These small actions can make the experience feel more substantial.

Physical objects also contribute to this sensation. Chips have weight and texture. Cards are physically dealt. Roulette wheels turn in front of the players. Wins and losses happen within a shared physical space.

Online gambling replaces these elements with buttons, animations, sounds and digital balances. For some players, that is perfectly satisfactory. For others, the physical version retains an authenticity that digital interfaces cannot completely reproduce.

Entertainment Beyond Gambling

Modern casinos also compete with other entertainment businesses.

Large casino resorts may combine gaming with hotels, restaurants, shopping, concerts, nightlife and other attractions. In those environments, gambling can be only one part of a much larger experience.

This helps explain why a person might choose a physical casino even when an online casino is more convenient. They may not be comparing two versions of exactly the same activity. They may be comparing an online gaming session with an entire night out.

That difference is important when discussing the future of land-based casinos. Their appeal does not necessarily depend on beating online platforms at convenience. Instead, physical venues can emphasize experiences that digital platforms cannot provide in exactly the same way.

Online Gambling Has Advantages Too

The continued popularity of physical casinos should not be interpreted as evidence that online gambling is losing its appeal.

Online gambling has several practical advantages. Players can access games from home, avoid travel and choose when they want to play. Research on internet gambling consistently identifies ease of access and convenience as important characteristics of the format.

For someone who values privacy, flexibility or quick access, these features may be more important than the atmosphere of a casino resort.

There is therefore no single reason why people choose one format over another. Personal preferences, location, social habits, available time and the type of gambling activity all influence the decision.

A Different Relationship With Time

Physical casinos also impose practical boundaries that online platforms generally do not.

A visitor has to leave home and eventually leave the venue. Physical opening hours, travel and the presence of other people can create natural interruptions. Online gambling, by comparison, can be accessed from almost anywhere at almost any time.

Recent qualitative research published by the UK Gambling Commission found that participants perceived in-person gambling as having more visible and natural constraints, including physical opening hours, the need to leave home and, in some cases, the use of cash and social surroundings. The same research emphasized that these observations describe participants’ experiences rather than establishing that land-based gambling is inherently safer.

That distinction is important. Physical limitations can change the experience, but they do not eliminate gambling-related risks.

Why the Physical Casino Has Not Disappeared

The rise of online casinos has changed how people gamble, but it has not eliminated the reasons people visit physical venues.

A digital casino can provide access to a game. A physical casino can provide a setting for an entire experience.

For some visitors, the attraction is social interaction. For others, it is the atmosphere, live dealers, architecture, entertainment or the simple pleasure of going somewhere specifically for the evening. Research supports the idea that social motivations are particularly relevant to land-based gambling, helping explain why physical venues continue to occupy a distinct position alongside online platforms.

The two formats therefore serve overlapping but not identical purposes.

Conclusion

Physical casinos remain relevant because gambling has never been only about accessing a game. For many people, the appeal includes atmosphere, social interaction, live entertainment, physical surroundings and the feeling of making an occasion out of the experience.

Online gambling has changed the industry by making casino games more accessible and convenient, but convenience cannot reproduce every aspect of a physical venue. A screen can simulate a roulette table; it cannot completely recreate the experience of sitting at one with other people around you.

That is ultimately why physical casinos continue to attract visitors. Their enduring appeal comes not simply from gambling itself, but from the broader experience built around it.

1st October 2026 0 comments
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Features

How to Keep Older Dogs Safe and Comfortable at Outdoor Events

written by Taylor Bradshaw

There’s something quite nice about having a dog at an outdoor event. They get to be outside, there’s plenty to sniff, and for dogs that enjoy being around people, there’s usually no shortage of attention.

But an older dog can change the equation a little. A dog that used to happily walk around all afternoon might now be ready for a nap after an hour. They may also be less comfortable with loud music, hot weather or standing around on hard ground. So, taking them along is less about planning every minute of the day and more about making it easy to slow things down when needed.

Before Leaving Home

First thing: check the festival actually allows dogs. It sounds obvious, but rules are different from one event to another. Some are completely dog-friendly, while others have restrictions or only allow dogs in certain parts of the site.

The festival map is worth a look too. Not in a “plan the entire day down to the last five minutes” way. Just find out roughly where the quieter areas are, where the exits are and whether there’s much shade. That information becomes useful once you’re surrounded by people and your dog has decided they have had enough.

Bring Somewhere Soft to Sit

Festival grass is still grass, but it’s not necessarily the most comfortable place for an older dog to spend half a day. A lightweight padded mat or dog bed is a good thing to throw into the car. Older dogs, particularly those with stiff joints, can find hard or uneven surfaces uncomfortable. Having a familiar place to lie down also gives them somewhere to settle when everything around them gets a bit too busy.

And try not to set up right next to the speakers. It sounds obvious, but when the music starts, the volume can be much higher than expected. Add people walking past, children wanting to pet the dog and other dogs appearing from every direction and it can become a lot. Somewhere slightly away from the main crowd is usually better. The RSPCA recommends making sure older dogs have a comfortable and undisturbed place to rest.

PF thefestivals.uk Image 02

Keep an Eye On How Much Walking Is Actually Happening

Festival walking is deceptive. It might not feel like much at the time. Ten minutes from the car park, another ten to the main stage, then over to find food and back again. By the end of the afternoon, that’s quite a lot of ground. An older dog might be perfectly happy at the start and then suddenly look much less enthusiastic about walking anywhere. That’s the point to stop. There’s no reason to visit every part of the site. If the dog is slowing down or looking stiff, find somewhere to sit and let them recover.

The surface matters as well. Concrete and pavement can get extremely hot during warm weather. Grass is preferable where possible, particularly if there’s some shade. The RSPCA advises checking surfaces before allowing dogs to walk on them in hot weather.

Water Should Be Easy to Get To

Take a bottle of fresh water and a collapsible bowl. It sounds like basic advice, but it’s surprisingly easy to spend an afternoon at an outdoor event and realise the dog’s water bowl is sitting back in the car. Keep it with the rest of the things being used during the day. On warm days, offer water regularly rather than waiting until the dog is obviously thirsty.

Also pay attention to changes in behaviour. Heavy panting, excessive drooling, weakness, confusion or suddenly seeming very tired can be signs of overheating. That’s not something to wait and see with. Move the dog somewhere cool and get veterinary advice if heatstroke is suspected.

Food Doesn’t Need to Become Complicated

Festival days are already different enough for a dog. Different place. Different smells. Different people. Different routine. So there’s not much point changing their food at the same time.

Take what they normally eat and, as far as possible, stick to their usual feeding times. This can be particularly important with older dogs because their diet may already be suited to their age and activity levels. If their food is being reviewed, dog food for senior dogs can be considered as part of maintaining an appropriate diet for an older pet.

Treats are fine too, within reason. Just remember what festival sites are like. Food gets dropped. People leave plates around. There will probably be something on the floor that suddenly becomes extremely interesting to the dog. Keeping an eye on what they are eating can save a fairly unpleasant evening later.

Have A Way Of Getting Home Without Making It Harder

It’s worth knowing where the easiest exit is before the day gets busy. If the dog is tired, the last thing needed is a long walk across the whole site and a slow queue before getting back to the car. And there’s absolutely no need to stay until the last act. If an older dog is happy for two or three hours and then clearly wants to go home, going home is probably the sensible option.

The same applies if the weather changes or the crowds become too much. Plans can change. For an older dog, a good outdoor event doesn’t have to mean spending the whole day on their feet. A few short walks, plenty of water, somewhere comfortable to rest and a quieter place away from the main crowd can be enough. The main thing is paying attention to the dog rather than the schedule. If they are enjoying themselves, great. If they want to lie down in the shade while everyone else goes off to watch the next band, that’s fine too.

1st October 2026 0 comments
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Tame Impala
Line-up

Tame Impala lead first Roskilde Festival 2027 acts

written by Sam Warrenger

Roskilde Festival has named the first 18 acts for 2027, with Tame Impala set for the Orange Stage. Tickets are now on sale for the Danish non-profit festival, which runs from 26 June to 3 July 2027 just outside Copenhagen.

Caroline Polachek, Kacey Musgraves, Ezra Collective, Suki Waterhouse, Lambrini Girls, Patti Smith Quartet and Underscores are also in the opening wave. Almost 200 acts will eventually make up the music programme at the 55th edition, Northern Europe’s largest festival, which expects 130,000 participants, including 27,000 volunteers.

Tame Impala’s Orange Stage show is billed as one of only a few European festival appearances in 2027. The Australian project, led by Kevin Parker, is due on Friday 2 July. Organisers describe the set as a sun-drenched, otherworldly trip, moving between psychedelic soundscapes, alternative rock, euphoric pop and elements of rave culture. The band are also among the first headliners named for Open’er Festival 2027, which runs from 30 June to 3 July in Gdynia.

Thomas Sønderby Jepsen, Head of Music at Roskilde Festival, said the first announcement outlines a programme of 18 acts covering “vastly different sounds and tendencies”.

“Roskilde Festival is a vibrant mix of sounds and expressions that both reflects the time we live in and offers a glimpse of what lies ahead,” he said. “There is pop, hyperpop, rock, metal, punk, hip-hop and jazz, and both compelling new voices and major names such as Tame Impala, who are playing only a handful of European festivals this summer.”

The festival runs from 26 June to 3 July 2027. A full week ticket costs €355 including fees. A one day ticket is €205 including fees. A two day ticket, covering any two of the final four festival days, is €300 including fees. Sales are through ticketing partner Tickster. More information is at roskilde-festival.dk/en.

The site has a station on the festival grounds, with a direct train from central Copenhagen taking less than 30 minutes. Roskilde is organised by the Roskilde Festival Charity Society. All profits go to humanitarian, non-profit and cultural work, especially for children and young people. Over the years the festival has generated about DKK 476 million (€63.7 million) for charitable distribution.

Jepsen also pointed to artists using the platform around their music. Caroline Polachek will bring what the festival calls an experimental pop universe, and has spoken on gender and representation in the industry. Patti Smith performs with Patti Smith Quartet, carrying more than 50 years of rock history, poetry and activism. She is also booked to headline Open’er in 2027. Kacey Musgraves is highlighted for challenging country and americana conventions, and for advocating for LGBTQ+ rights.

“Patti Smith has always been a powerful artistic and activist voice, while Caroline Polachek and Kacey Musgraves are striking examples of artists carrying that tradition forward by actively using their music and the attention surrounding it to make a difference,” Jepsen said. “As an independent, non-profit festival, supporting and highlighting voices like these is important to us, particularly at a time when artistic freedom unfortunately cannot be taken for granted.”

Ezra Collective, the Mercury Prize winning London group, blend jazz, soul, afrobeat and Cuban rhythms. New York band Nu Jazz fuse jazz with drum’n’bass, noise and electronic music. Electronic duo G Jones B2B Eprom are also confirmed. Norwegian hip-hop duo Karpe will play as part of their final ever tour.

Hyperpop artist Underscores is described by the festival as one of the genre’s most distinctive DIY names, combining electronic and computer generated sounds with what she has called “the sound of the future”. Metal and punk names in the first wave include Neurosis, Danish band Konvent, Drain and Brighton duo Lambrini Girls, who lead the first wave for Dot To Dot 2026.

The first 18 acts announced for Roskilde Festival 2027 are:

  • Tame Impala (AU)
  • Caroline Polachek (US)
  • Kacey Musgraves (US)
  • Emma Sehested Høeg (DK)
  • Ezra Collective (UK)
  • Karpe (NO)
  • Kundo (DK)
  • Lambrini Girls (UK)
  • Neurosis (US)
  • Patti Smith Quartet (US)
  • Suki Waterhouse (UK)
  • Underscores (US)
  • 454 (US)
  • Drain (US)
  • G Jones B2B Eprom (US)
  • James K (US)
  • Konvent (DK)
  • Nu Jazz (US)

Roskilde has run since 1971. Recent editions covered by TheFestivals include a 2024 first wave led by PJ Harvey and Kali Uchis, a Foo Fighters booking as the band’s only Scandinavian show that year, and a 2023 wave that added Rosalía, Lil Nas X and Fever Ray. The 2025 edition included Olivia Rodrigo, Fontaines D.C., Deftones and Nine Inch Nails. Follow @roskildefestival for further announcements.

1st October 2026 0 comments
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Yee Loi
Gigs

Yee Loi announce debut album with exclusive Denmark Street party

written by Sam Warrenger

Liverpool punk trio Yee Loi have announced their debut album, Flicks, licks, party tricks, set for release on 15 January 2027 via Modern Sky UK. The news landed with an exclusive party in the basement of Yungblud’s Denmark Street store, where the band played a packed, high-octane set on Tuesday 29 September.

Teenage siblings Rose (guitar, backing vocals), Matilda (drums, vocals) and Don Don (bass) turned the Soho basement into a showcase of raw, unfiltered UK punk. The set moved between the full-throttle melody of recent single ‘Social Suicide’ and the morbid storytelling of ‘Down In The Bunker’, tracks that have already landed on songs of the week lists at Kerrang!, MTV UK and Northern Exposure.

Journalists also heard breakout tracks ‘Why Ask Why’ and ‘Mystery Train’, plus unheard album songs ‘Miraclist’ and ‘Picture Perfect’. The night made the case that, although the band’s spirit sits with classic punk history, their energy belongs to the present. Photos from the show are credited to Cris Watkins.

In October, fans can catch Yee Loi supporting 1980s pop-punk icons Transvision Vamp on their first full UK tour since 1991. Handpicked by frontwoman Wendy James, the trio will take their fast-paced melodies into major venues nationwide, following earlier support slots with Adam Ant in late 2025.

Yee Loi 2

The band do things their own way. Rose said: “We don’t really care what people think. It’s the way that we were raised.”

That ethos runs through ‘Social Suicide’, which takes aim at a music industry that pushes artists to trade creativity for views, likes and digital clout. Rose said: “The more we get involved in music the more we realise that for many people, musical ability just isn’t enough. A good song now needs every type of social media exposure possible to be able to achieve any success. It just seems that people are prepared to sell their souls for views, likes and follows. We just want to make great punk rock and roll songs that move people.”

Flicks, licks, party tricks fuses classic punk inspirations, including The Ramones, with the band’s own DIY, melodic identity. Matilda said the title is about “the joy that comes from playing this high energy type of music. It makes you wanna go crazy on stage and try to make everyone join in the fun.” She added: “It was important for me to finally put out my own lyrics and melodies and not have to rely on covers. I have quite a lot to say and maybe somebody will be interested!”

Rose said: “My guitar playing on this album is all me and it’s high energy but you can definitely hear my influences. I’m quite proud of that! The songs on this album show that young girls can play high intensity guitar rock as good as anybody if not better!”

Usually the quietest member of the group, bassist Don Don also spoke up. “I love this album and I’m fed up of listening to the lightweight, backing-tracked songs that pass for so-called punk rock today.”

The album goes on presale on Tuesday 5 October via Townsend.

Flicks, licks, party tricks tracklist

Side 1

  • Down In The Bunker
  • Performer
  • Why Ask Why
  • Stalker
  • Move On
  • Gatekeeper

Side 2

  • Picture Perfect
  • Miraclist
  • Social Suicide
  • 5000 Days
  • White Hat
  • Count Me Out

Yee Loi’s Transvision Vamp tour dates

  • 6 October: Newcastle, O2 City Hall
  • 9 October: Glasgow, O2 Academy
  • 10 October: Leeds, O2 Academy
  • 14 October: Cambridge, Junction
  • 15 October: Leicester, O2 Academy
  • 16 October: Liverpool, O2 Academy
  • 17 October: Oxford, O2 Academy
  • 18 October: Cardiff, Tramshed
  • 20 October: Manchester, O2 Ritz
  • 21 October: Bournemouth, O2 Academy
  • 22 October: London, O2 Shepherd’s Bush Empire
  • 24 October: Norwich, Epic
  • 28 October: Brighton, Chalk
  • 29 October: Birmingham, O2 Institute
  • 30 October: Bristol, O2 Academy
Flicks Licks Party Tricks over art Yee Loi

Image credits: Cris Watkins
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

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Glastonbury Pyramid Stage flags and flagpoles
Line-up

Glastonbury 2027 headliner odds put Harry Styles ahead of Sam Fender

written by Sam Warrenger

Harry Styles has been installed as the favourite to headline Glastonbury 2027, as the first ticket sale for next year’s festival opens at 6pm this evening. Coach and ticket packages are available first, while the general admission sale follows at 9am on Sunday 4 October.

The former One Direction star is priced at 4/6 by Gambling.com, giving him an implied probability of 60 per cent, ahead of Sam Fender at 6/4 and Robbie Williams at 2/1. The market comes after Emily Eavis confirmed Glastonbury’s three Pyramid Stage headliners have already been booked.

Eavis revealed on BBC Radio 4 in August that organisers had their headliners in place and were “cracking on”. She also ruled out Madonna, saying “it’s definitely not Madonna”, while Oasis have since been taken out of the running too.

glastonbury 2027 odds uk

Harry Styles has become the early frontrunner following a huge run of Wembley Stadium dates, while Sam Fender is second favourite as he prepares for a new album cycle ahead of the festival. Robbie Williams is next in the market after announcing two major outdoor shows for the week after Glastonbury.

Taylor Swift remains a 3/1 shot despite never having played the festival. When asked about the singer during the Radio 4 interview, Eavis laughed and declined to comment, keeping hopes alive for fans still desperate to see the Eras Tour star make her Worthy Farm debut.

Olivia Dean is 7/2 following a breakout year, while Chappell Roan is priced at 4/1. Fontaines D.C. and Sabrina Carpenter are both 5/1, with Lady Gaga and Raye available at 6/1. Fred again.. is 7/1, Radiohead are 8/1, Charli XCX is 10/1 and Ed Sheeran is the 11/1 outsider.

The odds are not a confirmed line-up, and Glastonbury has not announced any artists for 2027. The festival returns to Worthy Farm from Wednesday 23 June to Sunday 27 June, following its 2026 fallow year. Glastonbury 2027 tickets cost £408 plus a £10 booking fee, with coach packages on sale from 6pm today and general admission tickets released on Sunday.

The full Glastonbury 2027 headliner odds from Gambling.com are:

ArtistOddsImplied probability
Harry Styles4/660.0%
Sam Fender6/440.0%
Robbie Williams2/133.3%
Taylor Swift3/125.0%
Olivia Dean7/222.2%
Chappell Roan4/120.0%
Fontaines D.C.5/116.7%
Sabrina Carpenter5/116.7%
Lady Gaga6/114.3%
Raye6/114.3%
Fred again..7/112.5%
Radiohead8/111.1%
Charli XCX10/19.1%
Ed Sheeran11/18.3%
1st October 2026 0 comments
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NE thefestivals.uk Image 01
Features

Harm Reduction and Welfare On-Site: The Essential Infrastructure Keeping Festivals Safe

written by Taylor Bradshaw

There’s a lot going on at a festival. Thousands of people. Music running for hours. Campsites full of people who have barely slept. Heat, alcohol, drugs, queues, mud, noise and the occasional person who has completely lost their friends. It’s all part of the festival experience, but it also means that somebody has to be ready when things go wrong. And quite often, “going wrong” doesn’t mean somebody needs an ambulance. Sometimes a person is having a panic attack. Someone has taken something and is having a much worse experience than expected. Someone has been dancing for six hours in the heat and is suddenly feeling very unwell.

This is where welfare teams and harm reduction services have become such an important part of the festival setup.

The Welfare Tent Isn’t Just Somewhere To Sit

A good welfare space is somewhere people can actually feel comfortable asking for help. Someone who is distressed or frightened might not want to walk up to a security guard and explain what’s happening. They might also be perfectly conscious and physically fine, so sending them straight to a medical tent isn’t necessarily the answer either.

A welfare tent gives them another option. It can be somewhere quiet to sit, somewhere to get water, or simply somewhere to talk to somebody without being judged. There are also the little practical things. Earplugs. Sunscreen. Condoms. Menstrual products. Information about staying hydrated. Somewhere away from the noise for a few minutes.

People Are Going To Take Risks

Festival drug policies have changed in recent years because organisers have had to accept a fairly simple reality: telling people not to take drugs doesn’t mean nobody will take them. Harm reduction takes a different approach. Instead of only saying “don’t”, it gives people information that might actually help them make a safer decision. That can mean advice about mixing substances, overheating, hydration and recognising when a friend needs medical attention.

Some festivals also work with drug-checking services, where the legal situation allows it. These services can identify unexpected substances and, in some cases, help issue warnings when something particularly dangerous has been found. This matters because the drug supply is not exactly predictable. UK government guidance has specifically raised concerns about synthetic opioids such as nitazenes, which can be extremely potent and may be found in substances sold as something else. If something dangerous is discovered during a festival, getting that information to people quickly can be just as important as the testing itself.

NE thefestivals.uk Image 02

Help Needs to Come to People Sometimes

Not everyone who needs help is going to find the welfare tent. They may be sitting somewhere in the campsite. They might be in a crowd. They could be too confused to work out where they are supposed to go. That’s why roaming welfare teams are useful.

People walking around the site can spot someone who looks unwell, check in with them and decide whether they need somewhere quieter, some basic support or a medical assessment. It’s also why the different teams need to actually talk to each other. Welfare workers need to know how to get medical help. Security needs to understand when someone needs care rather than simply being removed from an area. Medical teams need to be able to reach people quickly. A festival site can be huge, busy and difficult to move around, especially when thousands of people are heading in the same direction.

The Medical Team Has a Lot to Deal With

Festival medics are dealing with a strange mixture of problems. Minor injuries sit alongside serious incidents. Heat exhaustion can happen at the same time as an alcohol-related emergency. Someone may have taken an unknown substance, while another person has simply collapsed after spending too long in the sun.

Then there is the added complication of distance. Getting somebody from one side of a festival site to another isn’t the same as getting across a hospital corridor. Planning matters. So does having the right equipment in the right places. Naloxone is one example. It can temporarily reverse an opioid overdose, and the UK has been looking at ways to expand access to it. But simply having naloxone somewhere on site isn’t enough. Staff need to know where it is and what to do when an overdose is suspected. The rest of the medical response still needs to happen.

Then there is all the waste. This is the bit that festival-goers rarely see. A busy medical or welfare area produces waste that cannot just be thrown into the same bags as empty cans and food packaging. Used dressings, gloves, sharps and other clinical materials have to be separated and dealt with properly. It’s not exactly the sort of thing that makes the festival programme. But it’s part of keeping the site safe. For organisers and medical contractors, arranging appropriate clinical waste collection is one of those background jobs that needs to happen properly without becoming a problem for everyone else. The same applies to toilets, handwashing points, drinking water and general cleaning. These things are easy to overlook when the exciting parts of festival planning involve stages, artists and production. Yet when thousands of people share facilities for several days, hygiene becomes a pretty serious consideration. NHS guidance on festival health risks also highlights issues around infections and food poisoning at crowded events.

Safety Doesn’t Have to Ruin the Festival

There’s sometimes an assumption that harm reduction means making festivals feel overly controlled. It doesn’t have to. People still want the freedom to dance until sunrise, get muddy, lose their friends for three hours and have the sort of weekend that would be difficult to explain afterwards. The point is that there should be somewhere to go when things stop being fun. A welfare tent. A roaming team. A medic who can get there quickly. A security worker who knows when someone needs help. Clear information about where to find support. None of these things should be the main attraction. In fact, the best safety infrastructure is probably the stuff nobody notices.

Someone gets too hot and cools down before it becomes serious. A bad experience settles down in a quiet space. A friend gets medical help instead of being left alone because everyone is worried about getting into trouble. The music carries on. And that, really, is the point.

1st October 2026 0 comments
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