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Features

What to Do at a Festival Campsite Between Sets

written by Taylor Bradshaw

A festival weekend is built around the acts you cannot wait to see, but not every hour arrives with a stage and a crowd. There are slow mornings, timetable gaps, queues, and stretches of weather that make the tent suddenly more appealing than the arena. Planning for those quieter intervals can make the whole weekend feel less rushed.

If you have a signal and want something more contained than scrolling, a quick game on PlaySolitaire can fill a short gap without taking over the afternoon. The board gives you one clear activity and a natural stopping point, which matters when the next set begins in twenty minutes and you do not want to lose track of time.

Let the campsite have its own rhythm

A common mistake is to treat every unplanned minute as a problem. Festival campsites are not merely places to sleep. They are where friends compare the previous night, discover who remembered the sun cream, and slowly decide which food queue looks least intimidating. Leaving space for that rhythm prevents the weekend from becoming a race between stages.

The best campsite activities can be paused without argument. A conversation, a card game, or a shared playlist does not collapse if somebody notices the time and heads for the arena. Activities with a flexible ending suit the environment better than anything that demands a long setup or a fixed group.

Choose games that survive interruptions

Physical playing cards remain one of the most useful items in a festival bag. They are light, familiar, and adaptable to different group sizes. The only real challenge is keeping them dry and finding a flat surface when the ground has other ideas. A small zip bag and a camping table can solve most of that.

Solo games are useful too. Not everyone wakes at the same time, and a quiet player may want an activity while the rest of the tent is still recovering. A game that works with one person removes the need to recruit a team. It can be finished, abandoned, or resumed according to the timetable rather than the other way around.

Use the gap to make the next set easier

Downtime is also a good moment for the small practical jobs that are irritating in a crowd. Refill water, check the next route, apply sun cream, and move the layer you will need later to the top of the bag. None of this feels exciting, but it prevents a great performance from being remembered mainly for a missing jacket or an empty bottle.

Once the essentials are handled, stop planning. Festivals contain enough logistics already. Sit down, eat something, and let the gap remain a gap. The point of preparing is to create space for the weekend, not to turn the campsite into another task list.

Rain does not have to cancel the pause

British festival weather can change the shape of an afternoon quickly. When rain keeps everyone under cover, activities that need little space become valuable. A story told badly, a debate about the best set so far, or a game played around the dry patch in the tent can be enough. Good company usually matters more than the sophistication of the entertainment.

Keep the phone useful rather than central. Save enough battery for meeting points, travel updates, and the inevitable message from someone standing beside the wrong flag. If a digital game fills ten quiet minutes, let it end there. The weekend outside the screen is still the main event.

A memorable festival is not made only from headline moments. The walk back to camp, the slow breakfast, and the laughter during a timetable gap become part of the story too. Give those spaces a little attention and they stop feeling like waiting. They become the connective tissue of the weekend.

30th August 2026 0 comments
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Features

DK88 Mobile App Review

written by Taylor Bradshaw

A mobile casino app has to be quick, clear and stable. Malaysian users often play from mid-range Android phones, mobile data or short breaks during the day, so heavy design is not helpful. The app should open fast, show the main sections clearly and make account actions easy to find.

DK88 positions its mobile experience around casino games, sportsbook access and quick account use. Android users can usually install the APK from the official site, while iOS users may access DK88 through Safari and add the page to the home screen for an app-style shortcut.

For those who prefer mobile access, DK88 offers casino and sportsbook sections. Users are able to move between slots, live casino, sports betting, promotions, account balance and support without needing desktop access.

First Impressions

The first test is simple: can a user log in, find games and reach the cashier without confusion? DK88’s mobile layout is built around common actions, so the main menu usually gives quick access to games, promotions, deposit options and support.

Good mobile usability includes:

  • Android APK access from the site;
  • iOS browser or home-screen shortcut;
  • clear login and registration flow;
  • casino and sportsbook sections;
  • readable buttons for smaller screens;
  • visible balance and account area;
  • direct payment and support access.

These points matter because mobile users rarely want to search through long menus. The best layout is the one that feels obvious after a few taps.

Performance During Use

The mobile version needs to stay stable when users switch between slots, live casino, sportsbook and account pages. This is important during live betting or when checking payment status, because delays can make the experience feel unreliable.

For casino users, the app-style format should support quick loading of slot categories, live dealer tables and promotion pages. For sports bettors, odds and markets should remain readable on a smaller screen. A cluttered bet slip or slow page can quickly become frustrating.

Payment flow is another key part of usability. Deposits, withdrawals and transaction history should be easy to locate. If a player has to search too long for cashier details, trust drops.

Final Usability View

DK88’s mobile experience is strongest when it keeps things practical: fast access, simple navigation and clear account controls. It does not need to look overly complex. Malaysian users are more likely to return when the platform feels predictable on everyday devices.

The main thing to check before regular use is the current app access method, especially for Android APK download or iOS browser setup. Users should also confirm payment options and bonus terms directly on the site before depositing.

Overall, DK88 works best as a mobile-first casino and sportsbook platform when the user wants quick sessions, easy switching between sections and account access without opening a desktop browser.

28th August 2026 0 comments
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Fatboy Slim at Lytham 2027 poster
Line-up

Fatboy Slim to headline Lytham Festival 2027

written by Sam Warrenger
image 10

Superstar DJ Fatboy Slim will headline Lytham Festival next summer, bringing The Rockafeller Skank and Right Here Right Now to the Lancashire coast on Friday 2 July 2027.

Dance pop star Becky Hill is confirmed as special guest for the Friday night. The booking lands after Robbie Williams sold out Saturday in record time, and organisers say more headliners are still to come for what they call the North West’s largest live music festival.

Tickets go on general sale at 9am on Friday 4 September via lythamfestival.com. PayPal customers can access a presale from 9am on Tuesday 1 September.

Lytham Festival 2027 runs from Wednesday 30 June to Sunday 4 July. The bill so far is:

  • Wednesday 30 June: TBC
  • Thursday 1 July: TBC
  • Friday 2 July: Fatboy Slim, with special guest Becky Hill
  • Saturday 3 July: Robbie Williams
  • Sunday 4 July: TBC

Lytham Festival co-founder Peter Taylor said: “Fatboy Slim is simply an icon. This is a night I have wanted to schedule for a long time so I can’t wait to welcome him to Lytham. His shows are the stuff of legend and I have every confidence this will be a huge night filled with some of the best beats the world of electronic music has to offer.”

Taylor also flagged Becky Hill’s return, nine years after her last Lytham appearance. “I’m also really looking forward to welcoming Becky Hill back to Lytham. It will be nine years since she was last here and her career just goes from strength to strength so it will be a pleasure to see her return to our stage. With Robbie Williams headline show selling out in record time and now adding Fatboy Slim to the mix, it is safe to say we are looking at a very exciting Lytham Festival 2027.”

This month marks 30 years since Fatboy Slim, aka Norman Cook, released his debut album under that name, Better Living Through Chemistry. The record mixed hip hop, funk, house, reggae and indie, and featured Everybody Needs A 303, Punk to Funk and Going Out Of My Head. Three decades on, Cook is still playing everywhere from Rio and Coachella to Ibiza and underground clubs, with more than 100 Glastonbury appearances plus his own All Back To Minehead weekender. The Lytham date is billed as a night of hedonistic energy, shoes off and Hawaiian shirt on.

Becky Hill first played Lytham Festival alongside Pete Tong in 2018. A two time BRIT Award winner, she has passed 10 billion career streams, scored six UK Top 10 hits and a number 1 single, and saw debut album Only Honest On The Weekend land in the Top 10 and go Gold. 2024 follow up Believe Me Now? became her highest charting record to date, reaching the UK Top 3, and her next album REBECCA is framed as a new era of self expression. She has played Glastonbury, Reading and Leeds, Parklife and Creamfields, sold out a UK and Ireland arena headline tour, and first came through on The Voice UK in 2012.

Friends and business partners Daniel Cuffe and Peter Taylor started the event as the one day Lytham Proms concert in 2010. It has grown into a five day festival attracting up to 115,000 people a year, with past headliners including Kylie, Rod Stewart, Lionel Richie, Diana Ross, Sting, Shania Twain, Stereophonics, Faithless, Bryan Adams, Def Leppard, Courteeners, The Strokes, Michael Bublé and Pitbull.

More information and tickets are at lythamfestival.com.

28th August 2026 0 comments
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Creamfields crowd in village with tent in background
Live coverage

How to watch Creamfields live this bank holiday weekend

written by Sam Warrenger

Pepsi Max presents Creamfields is underway in Cheshire, and Cream has joined forces with Beatport to live stream the festival all weekend for anyone who missed out on a ticket. Coverage starts this afternoon (Friday 28 August) at 3pm BST and runs through Sunday night, with sets going out from ARC, APEX with Capital Dance, Steel Yard and HALO.

The UK’s pioneering electronic dance music festival is celebrating 20 years at Daresbury, with more than 80,000 revellers from around the world expected on site over the August Bank Holiday. The four day event opened yesterday (Thursday 27 August) and continues until Sunday 30 August.

The Creamfields 2026 Live Stream Weekend is being hosted in partnership with Beatport, the world’s largest digital store for DJs, producers and music fans. Broadcast hours are:

  • Friday 28 August: 3pm to 11pm
  • Saturday 29 August: 2pm to 4am
  • Sunday 30 August: 12pm to 11pm

All times are BST. Viewers can watch at www.creamfields.com/live.

The stream will carry powerhouse performances from some of the biggest names on the line-up, including Eric Prydz, Fisher, Carl Cox, Armin van Buuren, Disclosure (Live), CamelPhat, Becky Hill, Pete Tong, Gorgon City, Duke Dumont, Armand Van Helden, Danny Howard, Franky Wah, Eli Brown, KETTAMA, Ben Hemsley and Jazzy.

Disclosure are making their Creamfields debut today with a UK festival exclusive on the Arc Stage, so the stream is a rare chance to catch that set without being in the field.

Also due on camera are Chelina Manuhutu, D.O.D, Morgan Seatree, Silva Bumpa, HALŌ, Holy Priest, Arielle Free, Luuk van Dijk, Rossi., Julian Fijma, Syreeta, Gareth Wyn, Winson, Lau, James Organ, Murfi, Leaha, Adrían Mills, Niva, Counterpart, Kaci-Lea Lynch, Tyson O’Brien, Lucia Cors, Rob McPartland, Gaskin, Cait and Teedee.

The festival site is at Daresbury, Cheshire. Full event information is at www.creamfields.com.

28th August 2026 0 comments
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Kurupt FM press image
Music

Kurupt FM drop new EP GDWDMA and sell out December tour

written by Sam Warrenger

Kurupt FM have made their return today (Friday 28 August) with new EP GDWDMA, out now via MDSK (0151). The Brentford crew will follow it with a sold out UK tour this December.

The record is billed as a homage to the dance. It includes bouncy wheel up ode Reload, Tek Time produced by Merseyside DJ Jack Marlow, and Young Franco assisted, Cassius sampling banger Feelings.

New singles Gyal and Hold The Mic are also on the EP, which the camp say further cement MC Grindah’s status as the best MC in the Galaxy.

December’s run takes in Bristol, Manchester, Birmingham and London. Every date is already sold out.

GDWDMA is available to stream and buy now. The UK shows follow a successful Australia and New Zealand tour in January 2026.

What started as DIY YouTube webisodes from a group of friends in Brentford became BAFTA winning BBC mockumentary People Just Do Nothing, which ran for five series between 2014 and 2018. The crew picked up support from Ed Sheeran, Craig David, Big Narstie and David Hasselhoff along the way, and collected a BAFTA and Royal Television Society Award for Best Scripted Comedy in 2017.

They moved beyond pirate radio with mixtape The Lost Tape, released through XL Recordings in 2017, then debut studio album The Greatest Hits (Part 1) in 2021. That record featured Craig David, Jaykae, Mist, D Double E and General Levy, reached the UK Top 10, and proved the joke could still go off in the charts.

Live, they have become one of the UK’s most unique acts, blending garage, rave and comedy into total chaos. Festival appearances include Glastonbury, Reading & Leeds, they packed out Boomtown last summer, and they have also shut down Printworks London, Drumsheds and a 10 year anniversary headline show at Brixton Academy in 2024 celebrating a decade of People Just Do Nothing.

The Kurupt FM Podkast launched in 2019, and 2021 feature film People Just Do Nothing: Big In Japan sent MC Grindah, DJ Beats, Steves and Chabuddy G from Brentford to Tokyo. More than a decade on from those first homemade videos, they are still broadcasting for the chamunity, still repping West London, and still insisting that Kurupt FM, the rest are irrelevant.

Kurupt FM GDWDMA tour poster 2026
28th August 2026 0 comments
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Hockley Hustle signs
Line-up

Hockley Hustle marks 20 years with 500 acts across Nottingham

written by Sam Warrenger

Hockley Hustle will mark its 20th edition on Sunday 25 October 2026, bringing 500 acts to 50 bars, pubs, cinemas, chapels and galleries across Nottingham’s independent quarter. Early Bird wristbands are £15 plus booking fee, with student tickets at £10 plus booking fee, and they give entry to every venue and performance.

The music and arts charity festival is promising a full orchestra in an historic church, a huge carnival parade, drag shows, a line dancing flashmob and a citywide showcase of grassroots music. Every October, thousands of people fill the streets and venues of Hockley and Sneinton, from 70 piece orchestras with world class vocalists to packed rooms built around an acoustic guitar, samba in the streets, silent discos, choirs on Broadway’s steps and beatbox battles at Bodega.

One of the standout headline events will see the UFO Orchestra play St Mary’s Church. Over the years they have been joined by some of the city’s best known vocalists, including Liam Bailey, Natalie Duncan, Tiger (Divorce), Rob Green and Alfie Sharp, with special 20th anniversary guests still to be revealed.

It is not just a Sunday. Channel One Sound System will warm things up on Saturday 24 October in collaboration with Our Yard and Brickworks. An exhibition charting the festival from the start will run all week at Broadway Cinema, long the main Hustle hub, while three specialist music films from artists and crews who have helped shape the event will screen there in the lead up.

The Hustle parade is being billed as the biggest yet, with streets given over to music, dancing and a carnival atmosphere. Step N Groove will lead an attempt at the world’s biggest R&B line dancing flashmob, with tutorials on Broad Street beforehand. After last year’s expanded queer programme went down a storm, eight LGBTQIA+ crews will be involved this time.

Hockley Hustle street performance

Founded in 2006 as part of Oxjam, the UK wide series of DIY music events raising money for Oxfam, Hockley Hustle began with seven venues and a budget of £1,000. It soon became a festival in its own right and started raising money for local causes. To date it has raised £250,000 for 27 charities, from mental health organisations and refugee support groups to hospices and youth services. For the 20th edition, organisers want to raise £20,000 for six local charities.

Sleaford Mods, Jake Bugg, Alt Blk Era, Natalie Duncan and Myles Smith all played earlier in their careers, and the festival still leans on new names each year. It also runs a mentorship scheme for emerging promoters and industry days, backing grassroots artists, local promoters and independent venues.

Founder Adam Pickering said it was “impossible to imagine 20 years ago that Hockley Hustle would still be going now,” recalling 18 year old him “running around Nottingham asking promoters (like our now-Director Tommy Farmyard) to host venues to raise money for Oxfam.” He added that Drop in the Ocean had already shown how quickly people would “throw a party for a good cause,” and that Hockley’s mix of creativity, independent venues and neighbourhood feel, plus Nottingham’s community, is what has kept it going. “We might be a small cub of a city, but we roar like a lion. I wouldn’t say we’ve got the best creative community in the world, but we’re certainly in the top one.”

Artist, promoter and producer Ben Trekkah called it “our annual celebration of the creativity that bursts out of our great City” and “a general celebration of Nottinghamness.” Promoter Rasterella of Cultural Vibrations said she started her promoter path through Hockley Hustle in 2009 and has since built platforms for ethnic, global and world music artists. “Twenty years of Hockley Hustle is twenty years of backing Nottingham’s creativity, community and charitable spirit.”

Hockley Hustle is supported by Arts Council England, Confetti Institute of Creative Technologies, It’s in Nottingham and Gigantic. Alex Flint, CEO of It’s in Nottingham, said the festival “represents Nottingham’s brilliance in arts” and is “a great opportunity to explore the city and its live music venues.” Full details are at hockleyhustle.co.uk.

Hockley Hustle logo
27th August 2026 0 comments
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Jay-Z In 8
Music

Jay-Z and Rick Rubin’s documentary series coming exclusively to MUBI in the UK

written by Sam Warrenger

MUBI will stream Jay-Z in 8 exclusively in the UK from Saturday 19 September, with the first two episodes of the eight episode documentary series arriving on the same day.

The series, Rick Rubin’s documentary directing debut, is built from hours of candid conversation between the pair. It follows Jay-Z through his back catalogue as he breaks down his writing process and traces how his lyrics reflect his childhood, the experiences that shaped him, and the world he moved through as his career grew.

New episodes will land in pairs each Saturday. Chapters three and four debut on 26 September, chapters five and six on 3 October, and the run closes with chapters seven and eight on 10 October.

MUBI has acquired worldwide rights excluding North America, where HBO will release the series. It was produced under Rubin’s Tetragrammaton banner and is executive produced by Shawn Carter and Rick Rubin, the pairing behind McCartney 3,2,1. Daniel Kaluuya is also an executive producer.

Travelling song by song through Jay-Z’s catalogue, Rubin curates a playlist as a way into his key influences, formative years, and approach to making records. As Jay-Z talks through the words and music that fed the work, the series presents his art and his life as inseparable.

Producers are Leila Mattimore and David Rohde, with Harlin Lawal and Will Mavronicolas as co-producers. Bradford Young is director of photography, and Walter Fasano and Christian Sandino-Taylor edited the series. The featured participants are Jay-Z and Rick Rubin.

The weekly drop schedule, with runtimes and featured tracks, is as follows:

  • Chapter One, Saturday 19 September (41 minutes): Intro, Meet The Parents, Can’t Knock The Hustle, What More Can I Say.
  • Chapter Two, Saturday 19 September (37 minutes): Brooklyn’s Finest, I Love The Dough (featuring Jay-Z and Angela Winbush), What More Can I Say.
  • Chapter Three, Saturday 26 September (41 minutes): Lyrical Exercise, This Can’t Be Life (featuring Beanie Sigel), You Must Love Me, 4:44.
  • Chapter Four, Saturday 26 September (38 minutes): Where Have You Been, Allure, Where I’m From, Can I Live, Don’t You Know.
  • Chapter Five, Saturday 3 October (41 minutes): U Don’t Know, Politics As Usual, Regrets.
  • Chapter Six, Saturday 3 October (52 minutes): Jail, Ignorant Shit, Hovi Baby, Kill Jay-Z, 99 Problems, Threat, Dead Presidents II, Public Service Announcement (Interlude).
  • Chapter Seven, Saturday 10 October (46 minutes).
  • Chapter Eight, Saturday 10 October (35 minutes): New York (Concept de Paris), The Story Of O.J., No Church In The Wild, Family Feud, Legacy.

MUBI is a London-headquartered streaming service, distributor, and production company founded in 2007 by Efe Cakarel. The platform said the series is a close study of Jay-Z’s lyric writing, and of how those words map onto the life that produced them.

Image credits: MUBI
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

27th August 2026 0 comments
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Future Yard under construction
Gigs

Future Yard reveals launch series for new 600-capacity Birkenhead venue

written by Sam Warrenger

Future Yard has revealed the first names for the launch series at its new 600-capacity crowdfunded venue in Birkenhead, which is due to open before the end of the year.

The inaugural Autumn/Winter programme is led by Mercury Prize shortlisted Scottish multi-instrumentalist corto.alto, Detroit hip hop icon Xzibit, experimental art-rock band Squid, Brit Award-winning singer-songwriter Holly Humberstone, Belfast post rock group And So I Watch You From Afar, Liverpool doom metal band Conan and New York art-rockers BODEGA. Also announced are a rare Q&A with author Irvine Welsh, as part of BBC 6 Music DJ Chris Hawkins’ Q&A Sides series, and the 2026 edition of Birkenhead Day of the Dead, the ongoing KLF, The K Foundation and K2 Plant Hire project.

Future Yard 2026/27 Autumn Winter line-up poster
Click to zoom

The new live room and adjoining purpose-built studio complex will sit on the venue’s former garden and connect to Future Yard’s existing space. Organisers say the expansion will make room for more than 50 extra Future Yard shows a year, including at least 150 additional performance opportunities for local artists in the live room.

Twelve acoustically treated mixed use studio and teaching spaces will also provide 2,000 extra hours of practical experience for Sound Check trainees, and space for 3,500 children a year to access Future Yard’s Schools Music Curriculum. The complex has been designed around the seven principles of universal design, with accessibility built into the architecture.

The building is also central to Future Yard’s aim of reaching operational net zero by 2030, which the organisation says would put it among the first venues in the UK to hit that target. It has been planned as a low energy space with a bespoke sustainable heat recovery system.

Future Yard under construction

Future Yard launched in 2020 as Birkenhead’s first dedicated live music venue. The original 280-capacity room, artist rehearsal rooms and mixed use spaces have since become a key part of the Wirral’s music scene, bringing national and international artists to the town, often for the first time, and giving early stage chances to local acts.

corto.alto will return in November after a sold-out show earlier this year, with Squid booked for 25 October, And So I Watch You From Afar for 3 December, Irvine Welsh for 11 December and Holly Humberstone for 22 January. Grandmaster Flash, James Lavelle, Obie Trice, Michael Head & The Red Elastic Band and Orchestra Baobab are also on the growing bill, with more names still to come.

Co-founder Christopher Torpey said: “It feels like a real step up for Future Yard to be hosting artists of this calibre at our home in Birkenhead – our expanded home, which is being built with the support of our incredible fans and backers. It’s really important for the town, too, to see Birkenhead appearing on tour listings of this magnitude and welcoming musicians from across the world to our home, especially at a moment when opportunities are scarce and times are tough. We genuinely can’t wait to invite people inside for a show, share in the excitement and experience this hopeful new direction for the town. The Future is Birkenhead!”

The announcement lands as Birkenhead has been shortlisted as the only North West entry in the first UK Town of Culture initiative, with the winning town due to receive £3m in 2028. Future Yard is pointing to the project as a rare story of growth in the grassroots music sector.

Shows already in the 2026 season include Lime Garden, Ibibio Sound Machine, Knats, The James Taylor Quartet, African Head Charge, James Lavelle, Dinosaur Pile-Up, Yumi and The Weather, Lagos Thugs, Cheekface and GNOD. Tickets and further details are available at futureyard.org.

Xzibit
Xzibit

Future Yard Autumn/Winter programme:

  • 4 September: DJ Yoda’s 90’s Mixtape
  • 5 September: Pleasure Island
  • 9 September: Ak’chamel
  • 10 September: steel. EP Launch
  • 11 September: Birkenhead Calling III
  • 12 September: Martha
  • 17 September: Connor Selby
  • 18 September: Smoove & Turrell
  • 20 September: Trial Tapes + Little Furry Things
  • 25 September: Rebel Dread Rockers (Don Letts + Andy Smith)
  • 26 September: The Bends
  • 2 October: Katy Hurt + Two Ways Home
  • 3 October: James Lavelle
  • 9 October: Lime Garden (sold out)
  • 10 October: Ibibio Sound Machine
  • 11 October: Everything Yes
  • 19 October: Iguana Death Cult
  • 20 October: Yumi and The Weather
  • 22 October: Lagos Thugs
  • 23 October: Annie-Claude Deschênes with THE DSM IV
  • 24 October: Grandmaster Flash
  • 25 October: Squid
  • 29 October: Saigon Soul Revival
  • 31 October: Breakthrough Festival
  • 4 November: Mae Stephens
  • 7 November: African Head Charge
  • 10 November: ĠENN
  • 13 November: Mike Viola
  • 14 November: GNOD
  • 18 November: corto.alto
  • 20 November: Cheekface
  • 21 November: Knats
  • 21 November: Birkenhead Day of The Dead
  • 26 November: Dylan LeBlanc
  • 27 November: Omega Nebula
  • 27 November: BODEGA
  • 29 November: Cowboyy
  • 3 December: And So I Watch You From Afar
  • 11 December: Irvine Welsh
  • 12 December: The Cheap Thrills
  • 18 December: Michael Head & The Red Elastic Band
  • 22 January: Holly Humberstone
  • 6 February: James Taylor Quartet
  • 16 February: Obie Trice
  • 18 March: Rosalie Cunningham
  • 25 March: Orchestra Baobab
  • 27 March: Dinosaur Pile-Up
Future Yard under construction with crane

Image credits: Robin Clewley
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

27th August 2026 0 comments
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Features

Who Puts On the Show? A Look Behind Holiday Park Entertainment

written by Taylor Bradshaw

Ask most families what they remember about a week at a UK holiday park and it is rarely the caravan. It is the kids’ club dance routine that has been sung on repeat in the car ever since, the bingo that filled a wet Tuesday afternoon, or the tribute act that had three generations on their feet by nine o’clock.

Entertainment has quietly become one of the main reasons people book a park holiday at all, and the operation behind it is bigger and more organized than most guests realize.

From in-house teams to specialist suppliers

For decades, parks recruited and trained their own entertainment teams. That model still exists, particularly across the larger chains, but a growing number of independent and family-run sites now bring in an outside supplier instead. Working with a holiday park entertainment agency gives a park access to a pool of vetted performers, a ready-made show schedule and cover when someone falls ill in the middle of August.

The reasoning is mostly practical. Recruiting a full team for a season that runs from Easter to early November, then finding work for those staff in January, is a difficult balancing act for a single site. Agencies spread that cost and that risk across several parks.

A season starts long before the guests arrive

Casting for a summer season usually begins the previous autumn, with auditions running through the winter. Performers are expected to sing, host, run children’s activities and help with technical duties, often in the same day. Training weeks before opening cover choreography, safeguarding, evacuation procedure, and how to hold a room of three hundred people when the sound desk cuts out.

Compliance takes up more of the job than the job description suggests. Anyone working with children needs an enhanced DBS check. Parks need the right music licensing for the shows they stage, and health and safety paperwork now sits alongside the set list.

What parents can reasonably ask

Standards vary widely between sites, so a few minutes of research before booking is time well spent. Recent guest reviews that mention the entertainment by name tell you more than any brochure. It is fair to ask a park whether its team is employed directly or supplied, how many staff run the children’s club at any one time, and whether the programme changes across the week or repeats on a loop.

Age banding matters too. A park that separates activities for under-fives, primary-age children and teenagers usually has the staff numbers to do it properly. One programme stretched across every age group tends to please nobody.

A workforce question as much as a holiday one

The bigger issue facing the sector is staffing. Seasonal work has always been unpredictable, and parks are competing with hospitality, retail and the festival circuit for the same young workforce. On-site accommodation, a genuine training route and the prospect of a permanent role are the incentives now being used to bring people back for a second season.

For anyone drawn to the work, it is demanding and sociable in equal measure. Applications for seasonal entertainment roles tend to open in the autumn, with auditions held over the winter months and contracts confirmed well before the first guests arrive.

None of this is visible from the front row on a Saturday night, which is arguably the point. When holiday park entertainment is working, it looks effortless.

27th August 2026 0 comments
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Movements
Music

Post-hardcore band Movements return with Happier Now album and two new tracks

written by Sam Warrenger

Southern California post-hardcore stalwarts Movements have announced their fourth full length album, Happier Now, set for release on 4th September 2026 via Fearless Records. The band marked the announcement by sharing a double single, Dissolve Me and Back in My Ways, alongside a joint music video for both tracks.

The record was once again produced by GRAMMY winner Will Yip, known for his work with Turnstile, Title Fight and Circa Survive, and sees Movements blending the earlier elements of their sound with the heavier, more expansive direction of 2023’s RUCKUS! Vocalist Patrick Miranda said the band were not initially sure what shape the album would take, but wanted it to “bring in the early elements of our sound and blend it with the newer material” from RUCKUS! to mesh both eras together.

Happier Now can be pre-ordered here ahead of its 4th September release. The album’s full track listing runs to twelve songs, opening with “Pulse” and closing with “Separate”, and features both newly shared singles as the second and sixth tracks respectively.

The full track listing for Happier Now is as follows:

  1. Pulse
  2. Dissolve Me
  3. Everything Is Fine
  4. Happier Now
  5. Flowerbed
  6. Back in My Ways
  7. Spellbound
  8. Ill at Ease
  9. Live by the Sword
  10. Everyone I’ve Ever Been
  11. Fragile Hands
  12. Separate

“Dissolve Me” was the very first track written for the record and, according to Miranda, “set a precedent for our writing process.” He called nailing the lead single on the first attempt “a significant accomplishment” and described the song as “the perfect culmination of energy, emotion, and growth for us sonically.” Lyrically, the track is an introspective confession about his own social behaviours and the difficulty he faces navigating even minor everyday interactions, feelings he says can accumulate “to the point where they can become debilitating.”

“Back in My Ways” took a different route to the finished album. Miranda admitted he “kinda hated” the track at first, wary of slipping back into the “sadder side” of the band’s music, but it has since become one of his favourite songs on the record. Sonically, the track is a slow burn, built on tinny riffs and evenly delivered vocals that steadily escalate before erupting into a torrent of riffs and emotive vocals in its final third, harking back to Movements’ earlier sound.

The announcement lands as Movements continue performing on this summer’s Warped Tour, a run Miranda describes as “a full circle moment” given the community’s role in inspiring the band growing up. Happier Now marks the band’s fourth full length for Fearless Records and arrives on 4th September 2026.

Image credits: Adam Alonzo
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26th August 2026 0 comments
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