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Features

How to Build a Festival Budget Without Missing Your Favourite Events

written by Taylor Bradshaw

Festival season is one of the highlights of the year for music lovers, film enthusiasts, and cultural explorers alike. Whether you enjoy spending weekends at local events or traveling across the country for headline performances, festivals offer experiences that create lasting memories. The challenge, however, is that ticket prices are only one part of the overall cost. Accommodation, transportation, food, merchandise, and unexpected expenses can quickly push a carefully planned trip over budget.

Creating a realistic festival budget doesn’t mean giving up the events you care about most. Instead, it allows you to prioritize spending, avoid unnecessary financial stress, and enjoy the experience without worrying about every purchase. With some planning, it’s possible to attend multiple festivals while keeping your finances under control.

Decide Which Festivals Matter Most

Trying to attend every interesting event is rarely realistic. Before buying any tickets, make a list of the festivals that genuinely matter to you and rank them according to your priorities. Some may feature artists you’ve wanted to see for years, while others might simply fit your schedule or offer a convenient weekend away.

Once you identify your highest priorities, you can decide where it makes sense to spend more and where it may be better to save. This approach is similar to how investors evaluate opportunities through Vector Vest rather than treating every market movement as equally important. Instead of reacting to every possibility, they focus on opportunities that best match their strategy. Festival planning benefits from the same mindset.

Ranking events also makes later budgeting decisions much easier. If unexpected expenses arise, you’ll already know which festivals are essential and which can be postponed for another year.

Calculate the Entire Cost, Not Just the Ticket

Many people budget only for admission, only to discover that the ticket represents less than half of the total expense. Transportation, accommodation, parking, food, drinks, merchandise, and local travel often exceed the original ticket price.

Building a complete budget starts by estimating every category separately. Research hotel prices early, compare transportation options, and check whether food is available inside the venue or whether bringing your own is permitted. Even relatively small expenses, such as lockers, phone charging stations, or shuttle buses, can add up during a multi-day event.

Adding a contingency fund is equally important. Weather changes, delayed transportation, or last-minute purchases may create costs that were impossible to predict. Setting aside an additional amount helps prevent these surprises from affecting your overall finances.

Looking at the full picture allows you to compare festivals more accurately and decide which experiences provide the best overall value.

Spread Costs Throughout the Year

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One reason festivals become financially stressful is that many expenses occur within a short period. Fortunately, several of those costs can be managed months in advance.

Many organizers offer early-bird tickets, installment payment plans, or discounted passes before lineups are fully announced. Accommodation can also be significantly cheaper when reserved early, particularly for popular destinations where hotels sell out quickly.

Some festival enthusiasts create a dedicated savings account that receives small automatic deposits throughout the year. Saving a modest amount each month often feels much easier than finding a large sum immediately before an event.

Transportation costs may also decrease with advance planning. Flights, train tickets, and long-distance buses frequently become more expensive as departure dates approach. Booking early can leave more room in the budget for activities at the festival itself.

Planning ahead reduces financial pressure and allows you to make purchasing decisions based on value rather than urgency.

Find Ways to Reduce Costs Without Reducing the Experience

Enjoying a festival does not always require spending more money. Small adjustments can significantly reduce costs while preserving the overall experience.

Sharing accommodation with friends often lowers hotel expenses considerably. Traveling together may also reduce fuel, parking, or rental car costs. Bringing reusable water bottles where permitted, eating breakfast before entering the venue, or preparing simple snacks for travel days can further reduce spending.

Merchandise is another area where budgeting helps. Festival-exclusive products can be tempting, but deciding on a spending limit before arriving makes impulse purchases less likely. If collecting souvenirs is important, setting aside a dedicated amount allows you to buy something meaningful without affecting the rest of your budget.

Many festivals also offer volunteer opportunities that include discounted or complimentary admission. While volunteering requires time, it can provide access to events that might otherwise exceed your budget.

The goal is not to eliminate enjoyable purchases but to spend intentionally on the experiences that matter most.

Review Your Spending Before Planning the Next Festival

Once the festival ends, reviewing your expenses can make future planning much easier. Compare your original budget with your actual spending and identify where the biggest differences occurred.

Perhaps transportation cost more than expected, or food inside the venue proved more expensive than nearby restaurants. Maybe your accommodation choice worked perfectly, or you discovered that purchasing merchandise was less important than you originally thought.

Recording these observations creates a practical reference for future events. Rather than starting every budget from scratch, you’ll have realistic estimates based on your own experience.

Over time, this habit helps you identify which festivals provide the greatest value for your interests and which spending categories deserve more attention. As your planning improves, you’ll likely find that attending multiple festivals each year becomes less stressful and more enjoyable because your finances remain as organized as your itinerary.

27th July 2026 0 comments
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Features

From Pixels to Legends: Reimagining Video Game Music for Piano and Strings

written by Taylor Bradshaw

On Friday 10 July, pianist Chudan Deng and violinist Hui Stan Jin led and presented From Pixels to Legends: A Journey Through Game Music and Fantasy Worlds, an unforgettable concert at St Gabriel’s Church on Warwick Square in Pimlico. They were joined by musicians Siyi Chen, Cecilia Cui, Tianyi Joshua He and Jiaxin Hu, and had taken me to an amazing world of fantasy

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Chudan and Stan were not only performers throughout the evening but also served as the concert’s artistic directors, bringing together a programme that explored the growing artistic value of video game music in a chamber setting.

Here’s what struck me most: Chudan and Stan never tried to replicate the cinematic scale of these video game soundtracks – instead, they reimagined them for piano and strings, trusting and presenting the music itself rather than the spectacle of the original orchestration. It was a bold but successful decision, everything got stripped back to the piano and strings. Many of these scores are closely associated with sweeping orchestral colours and immersive sound worlds, yet in this more intimate setting their musical substance came into sharper focus. Not diminishing the originals, the two musicians and the chamber revealed just how well these compositions stand on their own. What remained was not just a memorable melody, but the strength of the writing itself — its architecture, harmony and emotional pacing — all of which proved more than capable of holding an audience’s attention without relying on a sheer scale.

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Pianist Chudan Deng

The night opened with a solo piano turn from Chudan on the Stardew Valley Overture. The original score is deceptively simple, yet rich in atmosphere, and live, every bass note landed clean and clear. Chudan’s refined touch and careful control of colour allowed the music to unfold with remarkable warmth and clarity. It felt like being walked gently into the game’s little town, past the farm, up into the hills, into the woods, with the room’s restlessness slowly melting away. By the time Nature’s Crescendo kicked in with its brighter, folksy energy, the concert had found its stride.

Chudan and Chen then teamed up for a four-hand arrangement of the Plants vs Zombies medley, and it showed real ensemble discipline: fast unison runs stayed perfectly in sync, and the melody kept passing between the two of them so smoothly it was sometimes hard to tell who had it. That same tightness carried into the Happy Fight the Landlord theme later in the set, another four-hand piece built more on a shared, locked-in pulse than on either player showing off.

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Violinist Hui Stan Jin

On top of the beautiful pianos, the concert turned into another cantabile mood after Stan, the violinist joined as a trio. It was then that I noticed people beginning to pull out their phones to capture a few moments of the performance. With Stan’s violin carrying the main melody, the interplay between the strings and keys took the whole performance to another level. They started with Dou Quan, the main theme from the beloved Chinese online game Roco Kingdom. His expressive phrasing and beautifully shaped slides painted a magical world before my eyes, making me imagine little elves wandering and embarking on joyful adventures. As fact after chatting with them about this piece, I was delighted to find that my imagination had perfectly matched the world of Roco Kingdom – I was impressed of how vividly they had captured its spirit.

The beautiful travel of this fairy music continued in The Legend of Zelda Main Theme – brought me from the Chinese-game mystery into another magic world. Rather than reducing the music, Chudan and Stan’s arrangement embraced the very qualities that make the original score so distinctive: it revealed that the magic of this well-known fantasy world has never depended on orchestra scale. It lies in the score’s extraordinary ability to create space, atmosphere and a sense of wonder that Stan’s violin brought to life. Without the weight of a full orchestral texture, every pause, every suspended harmony and every fragile melodic gesture seemed to carry greater meaning. For a few moments, St Gabriel’s Church seemed to dissolve. In its place emerged a world of open skies, ancient ruins and quiet wonder, created not through visual effects but through the sensitivity of these musicians.

As dusk settled over Pimlico, the concert gradually drew to its biggest moment: a quintet for the Game of Thrones theme and Prelude to Journey to the West from Black Myth: Wukong. The sound was huge, and the five of them were completely locked in together. For a moment, it genuinely felt like the game screen had opened up right there inside the church. That kind of connection with the audience was the whole point of the night, and it landed. By the end, what stood out most was just how many different shapes the music took across the evening, from one pianist alone at the keys to a full five-piece ensemble, and the care every player put into shaping each note along the way.

You don’t need a symphony orchestra to do justice to a video game soundtrack. That’s the big takeaway here. For anyone who loves a good melody wherever it comes from, this was a refreshing and engaging way to hear familiar music.

By presenting video game music within a classical chamber concert, the programme demonstrated how contemporary popular culture can engage new audiences with live performance while expanding the boundaries of the traditional concert experience. The concert also reflected London’s increasingly diverse musical landscape, where contemporary repertoire can sit comfortably alongside classical performance traditions. Chudan’s performance demonstrated how a young pianist can successfully introduce contemporary repertoire to new audiences through high-quality live performance.

25th July 2026 0 comments
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Features

From the Opening Set to the Final Encore: How to Make the Most of a Festival Weekend

written by Taylor Bradshaw

Music festivals are about much more than seeing favorite artists perform. A well-planned festival weekend becomes a combination of live entertainment, discovering new music, spending time with friends, and creating memorable experiences that last long after the final encore. Whether attending a large multi-day event or a smaller local festival, preparation helps visitors enjoy the experience while avoiding unnecessary stress.

From choosing comfortable clothing to planning meals and getting enough rest, small decisions throughout the weekend can make a significant difference. Experienced festivalgoers know that balancing excitement with practical planning allows them to enjoy every performance without feeling exhausted before the headlining acts take the stage.

Pace Yourself Throughout the Weekend

It can be tempting to arrive early and stay constantly on the move, but festivals often involve long hours of walking, standing, and waiting between performances. Conserving energy helps visitors remain comfortable from the opening set through the closing night.

Many attendees build short breaks into their schedule, using quieter performances or shaded seating areas to rest before returning to crowded stages. Staying hydrated, wearing supportive footwear, and protecting against changing weather conditions also contribute to a more enjoyable experience.

Planning realistic expectations instead of trying to see every artist often results in a far less stressful weekend.

Pack Food That Fits Your Schedule

Festival food vendors offer plenty of variety, but long queues and busy schedules mean many attendees also carry convenient snacks that are easy to enjoy between performances.

Educational resources from Carnivore Snax discuss dessert-style recipes and treats that people following a carnivore diet sometimes prepare while staying within the principles of that particular eating pattern. The article explores creative approaches that demonstrate how specialized diets can still include enjoyable food options without necessarily following conventional dessert traditions. 

Whatever dietary preferences someone follows, planning food ahead of time helps avoid missing favorite performances while searching for meals during the busiest parts of the day.

Rest Matters as Much as the Music

Festival weekends often involve early mornings, late nights, and more physical activity than usual. Quality sleep becomes an important part of enjoying multiple days of performances without feeling drained.

Products from Snoozy focus on sleep and relaxation, offering a range of hemp-derived wellness products designed to support evening routines and recovery. The company emphasizes helping adults establish relaxing habits that contribute to restful nights, allowing them to feel refreshed for the following day’s activities.

Whether staying in a hotel, camping, or returning home each evening, creating a comfortable bedtime routine can make the entire festival experience more enjoyable.

Leave Time to Discover Something Unexpected

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While headliners often receive the most attention, many festival memories come from artists people had never planned to see. Exploring smaller stages, local performers, or emerging musicians frequently leads to discovering new favorites.

Festivals also provide opportunities to enjoy art installations, food vendors, cultural exhibits, and interactive experiences beyond the music itself. Taking time to wander between stages often creates unexpected moments that become highlights of the weekend.

Remaining flexible with the schedule allows room for spontaneous experiences without feeling pressured to follow a rigid itinerary.

Dress for Comfort Instead of Trends

Festival fashion is part of the experience, but comfort becomes increasingly important over the course of a full weekend. Lightweight clothing, breathable fabrics, and layers that can adapt to changing temperatures help attendees stay comfortable from afternoon performances through late-night headline shows.

Footwear deserves particular attention. Since festivals often involve walking several miles each day across grass, pavement, or uneven terrain, supportive shoes can make a noticeable difference. Accessories such as hats, sunglasses, and lightweight rain jackets also help visitors stay prepared for changing weather without carrying unnecessary gear.

Have a Plan but Stay Flexible

Reviewing the performance schedule before arriving helps prioritize must-see artists while leaving room for unexpected discoveries. Many festivals feature overlapping sets, making it impossible to attend every performance.

Experienced attendees often choose a few priority acts each day and allow the remaining time to unfold naturally. This flexible approach reduces the pressure of constantly moving between stages and creates opportunities to enjoy conversations, explore vendor areas, or discover musicians they had not originally planned to see.

Capture Memories Without Missing the Moment

Photos and videos help preserve festival memories, but constantly viewing the event through a phone screen can sometimes take away from the live experience. Many concertgoers find a balance by capturing a few meaningful moments before putting their devices away to fully enjoy the performance.

Taking time to appreciate the atmosphere, interact with friends, and experience live music without distraction often creates the memories that last longest. Festivals are designed to be immersive experiences, and being present allows attendees to enjoy the energy of the crowd, the performances, and the unique atmosphere that cannot be fully captured in a recording.

The Best Festival Weekends Balance Excitement With Preparation

Successful festival weekends are rarely about seeing the greatest number of performances. Instead, they result from balancing entertainment with practical preparation that supports comfort, energy, and overall wellbeing.

Comfortable clothing, thoughtful meal planning, regular hydration, quality rest, and a willingness to explore beyond the headline acts all contribute to a richer experience. By approaching the weekend with flexibility and realistic expectations, festivalgoers can enjoy every stage of the event, from the excitement of the opening set to the unforgettable atmosphere of the final encore.

Small Essentials Can Make a Big Difference

Packing a few practical items can make a festival weekend considerably more comfortable. A reusable water bottle, portable phone charger, sunscreen, hand sanitizer, ear protection, and a lightweight blanket or compact seat can all prove useful throughout the day.

Many experienced festivalgoers also carry a small backpack or cross-body bag to keep these essentials organized without becoming cumbersome. Preparing for long hours outdoors means spending less time searching for necessities and more time enjoying the performances, activities, and atmosphere that make festival weekends memorable.

24th July 2026 0 comments
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Features

The Festival Comfort Trends That Are Finding Their Way Into Everyday Life

written by Taylor Bradshaw

Music festivals have become more than places to enjoy live performances. Over the past decade, they have evolved into immersive experiences where comfort, wellness, design, and community receive as much attention as the entertainment itself. Organizers increasingly recognize that visitors want spaces where they can relax, recharge, and enjoy a slower pace between performances rather than spending every moment on their feet.

Many of the ideas first popularized at festivals are now influencing everyday lifestyles. Comfortable outdoor gathering areas, wellness-inspired routines, natural materials, and thoughtfully designed spaces are appearing in homes as people look for ways to recreate the relaxed atmosphere they experience during memorable weekends away. Instead of being limited to special occasions, these trends are becoming part of daily living.

Comfortable Outdoor Retreats Are Becoming a Priority

Festival organizers have shown that outdoor spaces become far more inviting when they include areas dedicated to relaxation rather than constant activity. Shaded seating, natural wood elements, ambient lighting, and quiet corners encourage people to slow down and enjoy their surroundings.

That same philosophy is now shaping residential backyards. Homeowners increasingly view outdoor spaces as extensions of the home where they can unwind after work or spend quality time with family and friends. For those interested in creating a dedicated wellness retreat, https://premiumsaunas.com/collections/2-person-barrel-saunas showcases compact barrel sauna options designed to fit comfortably into many backyard settings while providing a private place for relaxation and connection. The curved design also promotes efficient heat circulation, making these models well suited for homeowners seeking a space-efficient wellness feature. 

Rather than filling every corner with furniture or decorative features, many homeowners are embracing simpler layouts that emphasize comfort, open space, and everyday usability.

Wellness Experiences Have Expanded Beyond the Spa

Wellness tents, meditation sessions, yoga classes, and recovery areas have become familiar features at many festivals. These additions reflect a growing appreciation for balancing activity with opportunities to rest and recharge.

People have begun bringing similar ideas into everyday routines. Short periods of mindfulness, gentle stretching, outdoor reading, or simply stepping away from digital distractions can help create moments of calm throughout the week.

This broader approach recognizes that relaxation does not require elaborate routines. Consistent habits often provide greater long-term benefits than occasional luxury experiences.

Natural Materials Continue to Influence Home Design

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Festival environments frequently use timber, canvas, greenery, warm lighting, and earthy color palettes to create welcoming spaces. These materials feel comfortable without appearing overly formal, encouraging visitors to gather naturally throughout the day.

The same design preferences are increasingly visible in residential landscaping and outdoor living areas. Wooden pergolas, stone pathways, native plants, and textured outdoor fabrics help create environments that feel connected to nature while remaining practical for everyday use.

Because these materials often age gracefully, they also contribute to outdoor spaces that remain attractive over time instead of following short-lived design trends.

Flexible Spaces Support Different Ways of Living

One reason festival layouts feel inviting is their flexibility. A seating area used for conversation during the afternoon may become a gathering place for evening entertainment without requiring major changes.

Modern homeowners are adopting similar thinking when planning outdoor spaces. Patios now serve as dining areas, workspaces, exercise zones, or quiet reading retreats depending on the time of day and the needs of the household.

Designing for flexibility allows outdoor areas to evolve with changing lifestyles while making better use of available space throughout the year.

Slowing Down Has Become Part of the Experience

Perhaps the most lasting lesson carried over from modern festivals is the recognition that meaningful experiences often happen during quieter moments rather than constant activity. Conversations between performances, time spent watching the sunset, or simply enjoying a peaceful setting frequently become some of the most memorable parts of an event.

Many people now seek to recreate that balance at home by intentionally designing spaces that encourage relaxation instead of constant productivity. Comfortable outdoor environments, thoughtful wellness routines, and opportunities to disconnect from daily pressures all contribute to a lifestyle that values both activity and recovery.

As these ideas continue to influence residential design, the comfort once associated primarily with festival weekends is becoming an everyday feature of homes designed for long-term well-being.

24th July 2026 0 comments
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Music

Sam Smith goes big with power anthem “Oh Mother” ahead of Hazel Eyes

written by Aiden Baxter
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Sam Smith has shared a fierce new power anthem, “Oh Mother” featuring The TwoCity Chorus, the second single lifted from their upcoming fifth studio album Hazel Eyes, out 21st August via Capitol Records.

Where lead single “My Guy” leaned into blissed out romance, “Oh Mother” takes a sharp turn into darker territory, built around a spellbinding call and response between Sam and the 28 member TwoCity Chorus. Sam says the choir represents “the fury of a mother witnessing her child’s betrayal” and channels a “divine feminine energy”, with additional vocals from their friend Dante, who Sam describes as “a mothering presence” during their twenties.

The track opens with the line “You remind me of my mother’s greatest fear” and builds through thundering piano, fuzzed out guitar riffs and stomping hand percussion, alongside cinematic strings from composer Gabe Noel (Sombr, Father John Misty). Sam co-produced the song, and the whole of Hazel Eyes, alongside David Odlum (Glen Hansard, Josh Ritter) and Simon Aldred (Avicii, Liam Gallagher), with the track ultimately shifting from a story of betrayal into what’s billed as “a transcendent affirmation of a mother’s love.”

Hazel Eyes marks Sam’s follow up to 2023’s Gloria, the album that housed global smash “Unholy” with Kim Petras. Three years in the making, the 12 track record was recorded at New York’s Electric Lady Studios with collaborators including Feist, Shahzad Ismaily (Yoko Ono, Damien Rice) and string arranger Rob Moose (Bon Iver, The National).

Alongside “Oh Mother” and “My Guy”, the album will also include previously released tracks “Love Is A Stillness” and “To Be Free”, the latter of which gave its name to Sam’s ongoing global residency series. Launched last autumn at Brooklyn’s Warsaw, the To Be Free residencies have already featured surprise guest appearances from Hozier, Ed Sheeran, Brandi Carlile, SIENNA SPIRO and Kim Petras.

The residency continues next month with a show at Guadalajara’s Auditorio Telmex on 14th August, followed by four nights at Mexico City’s Auditorio Nacional on 17th, 18th, 20th and 21st August. Sam has also confirmed a UK residency for September, their first multi night UK run since the Gloria tour in 2023, comprising two shows at Manchester’s Albert Hall on 3rd and 4th September and eight nights at the London Coliseum on 8th, 9th, 11th, 12th, 15th, 16th, 18th and 19th September.

Sam Smith UK residency dates 2026

More info on live dates here.

  • 3 September, Manchester Albert Hall
  • 4 September, Manchester Albert Hall
  • 8 September, London Coliseum
  • 9 September, London Coliseum
  • 11 September, London Coliseum
  • 12 September, London Coliseum
  • 15 September, London Coliseum
  • 16 September, London Coliseum
  • 18 September, London Coliseum
  • 19 September, London Coliseum

A five time GRAMMY winner, Sam holds two Guinness World Records, one for the most consecutive weeks in the UK Top 10 album chart with 2014 debut In the Lonely Hour, and another for the first James Bond theme to top the UK charts with the Oscar and Golden Globe winning “Writing’s on the Wall.” Across their catalogue, Sam has amassed more than 64 million equivalent album sales, 392 million single sales and over 57 billion career streams, with “Unholy” alone spending three weeks at Number 1 on the Billboard Hot 100 and four weeks atop the UK Official Singles Chart.

Listen to ‘Oh Mother’ here.

23rd July 2026 0 comments
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Terminal V Croatia stage by water
Live coverage

Terminal V Croatia closes biggest edition yet as 2027 dates confirmed

written by Aiden Baxter

Terminal V Croatia has wrapped its biggest edition to date, with organisers confirming the boutique techno festival will return to The Garden Resort in Tisno from Thursday 15th July through to Monday 19th July 2027.

Thousands of visitors from more than 85 countries descended on the Dalmatian coast for five days of open-air techno, boat parties and Adriatic sunshine, with more than 100 artists including AZYR, Ben Klock, Restricted, Hannah Laing, Interplanetary Criminal, 999999999 and Novah across the site.

Super Early Bird tickets for the 2027 edition go on sale Friday 31st July at 8AM BST (9AM CET, 5PM AEST), with prices starting from just €20. Garden Resort and Barbarella’s passes will remain frozen at 2026 prices, while flexible payment plans will once again let attendees spread the cost across the year.

The Croatian outpost has grown into one of Europe’s leading boutique techno festivals in just three editions, building on the reputation of Terminal V’s flagship event, which spent nearly a decade at Edinburgh’s Royal Highland Centre before staging its final Edinburgh edition this April ahead of a move to a new UK site in 2027. That Scottish flagship welcomed over a quarter of a million fans during its run and ranked number one in Scotland and 34th in the world at the DJ Mag Awards, giving the wider Terminal V brand serious pedigree heading into its Croatian expansion.

Set between pine forests and crystal-clear waters, Terminal V Croatia continues to prove techno’s natural home extends well beyond the warehouses and industrial spaces it grew up in. Open-air stages, the legendary Barbarella’s Discotheque afterparties, boat parties on the Adriatic and golden Mediterranean sunsets combined to create an atmosphere that blended festival culture with the freedom of a summer holiday.

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Festival goers travelled from across Europe, Australia and North America, joining a strong Scottish following that has followed the brand from its Edinburgh roots. Many extended their stay beyond the festival itself, using Terminal V Croatia as the centrepiece of a longer trip exploring the country’s coastline, islands, national parks and historic cities.

Days were spent swimming in the Adriatic, relaxing on nearby beaches and discovering the surrounding Šibenik-Knin region, before returning each evening for performances from some of the biggest names in contemporary techno across multiple stages. That combination of music and travel has become central to the festival’s identity, with fans already building return trips around it.

In just three editions, Terminal V Croatia has grown into far more than a music festival, becoming an international community drawn not only by the lineups but by the atmosphere of bringing thousands of people together in one of Europe’s most beautiful coastal destinations. The 2026 edition further cemented Croatia’s reputation as one of the continent’s premier electronic music destinations, adding to the region’s summer tourism as more visitors choose to combine the event with a longer Adriatic holiday.

Terminal V Croatia crowd
23rd July 2026 0 comments
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Technics AZ100E1 Rolling Stone Edition
Tech

Rolling Stones team up with Technics for limited edition earbuds

written by Aiden Baxter

Technics has announced a limited edition collaboration with The Rolling Stones, launching a special version of its EAH-AZ100 true wireless earbuds to coincide with the band’s new album, Foreign Tongues, released on 10th July.

The joint project brings together Technics’ audiophile engineering credentials and the Stones’ status as one of music’s most enduring acts, with the earbuds built around the brand’s Magnetic Fluid Driver, the first of its kind in the industry, delivering ultra-low distortion, deep controlled bass and clarity across the frequency range. Foreign Tongues was recorded at Metropolis Studios in London, the same studio the Stones used for their previous album Hackney Diamonds, including the recording of their 2023 single Sweet Sounds of Heaven featuring Lady Gaga and Stevie Wonder.

Each set arrives in a specially designed gift box, housing the EAH-AZ100 in black finish alongside an exclusive rubber case embossed with the band’s Lips & Tongue logo, turning the audio product into a collector’s item. The edition is strictly limited to 5,000 units worldwide, with each protective case laser-engraved with a unique serial number from 0001 to 5000 on the reverse; numbers cannot be pre-selected, though Technics is inviting fans whose serial happens to align with a significant date in Rolling Stones history to share the moment.

The EAH-AZ100 Rolling Stones Limited Edition is available exclusively online, including through Bravado, priced at €299 / £259.

Foreign Tongues follows Hackney Diamonds, the band’s first studio album of new material since 2005’s A Bigger Bang, which itself was preceded by the Grammy-winning covers record Blue & Lonesome and a run of sold-out global tours, including the 60th anniversary Sixty tour that drew nearly a quarter of a million European fans. That record marked the first Rolling Stones album produced by Andrew Watt and featured high-profile guest turns from Lady Gaga and Stevie Wonder, both of whom have historic ties to the band, Gaga having joined them onstage during the 50 & Counting tour and Wonder having toured with the Stones back in 1972.

Technics itself carries a long design pedigree, having launched in 1965 with the Technics 1 speaker before pioneering the direct-drive turntable, a innovation that helped lay the groundwork for today’s DJ and club culture. The brand continues to position itself at the intersection of analogue heritage and modern digital audio, making this Rolling Stones collaboration a natural extension of that legacy.

Technics AZ100E1 K Rolling Stones edition 2

23rd July 2026 0 comments
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Boardmasters bottom trawling campaign
Sustainability & Environment

Boardmasters teams up with Oceana to fight bottom trawling in Cornish waters

written by Aiden Baxter

Boardmasters is throwing its weight behind a campaign to end destructive bottom trawling in UK marine protected areas, teaming up with ocean conservation charity Oceana and arts students from Falmouth University to spotlight the issue at this year’s festival.

Oceana, the official environmental partner of Boardmasters, has worked with the Cornish surf and music festival for several years on ocean protection initiatives, and this year the pair are going further by calling for a total end to destructive fishing in the marine protected area (MPA) that surrounds the festival’s Newquay home.

As part of the push, Falmouth University students have created original protest art, which will be displayed at The View stage throughout the event to highlight the true protection needed for UK seas.

The campaign is driven by fresh data showing the marine protected area off Newquay endured 2,494 hours of apparent bottom trawling in 2025 alone. Bottom trawling, which is permitted year-round in this MPA, involves dragging heavy nets across the seabed, destroying habitats and scooping up nearly everything in their path. The analysis was carried out by Oceana using information from Global Fishing Watch, covering the Bristol Channel Approaches marine protected area.

Boardmasters takes place from 5th to 9th August 2026 across its usual Cornish sites at Fistral Beach and Watergate Bay, with tickets and full details available at www.boardmasters.com. The festival has form when it comes to community and environmental initiatives, having previously teamed up with organisations including The Schools Consent Project to bring safeguarding education to Cornish schools.

Sustainability has been part of Boardmasters’ identity since it began in 1981, and the festival has built on that ethos in recent years through its Green Pledge and #LeaveOnlyFootprints campaign, alongside an annual impact report designed to track and improve its environmental performance. Rob Spring, Festival Director of Boardmasters, said sustainability “matters to us at Boardmasters, and we know there’s always more to do,” adding that inviting Falmouth University students to create art around the issue is “part of our ongoing effort to protect the coastline we’re lucky to call home.”

Hugo Tagholm, Executive Director of Oceana in the UK, said it was “appalling to think that while we surf the waves of Newquay’s world-class Fistral beach, out at sea ocean life and habitats are being degraded and destroyed,” stressing the need to properly protect marine sanctuaries “to safeguard ocean health and allow UK seas to thrive once again.” Oceana has notched up more than 300 conservation victories worldwide against overfishing, habitat destruction, and oil and plastic pollution, with its UK arm, based between Cornwall and London, focused specifically on ending new oil and gas licences, tackling overfishing, and banning bottom trawling in marine protected areas.

Bottom trawling

Image credits: Ollie Harrop / Howard Wood
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Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

22nd July 2026 0 comments
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Laugherama at Castlefield Bowl crowd shot showing main stage and skyline
ComedyLine-up

Michelle Wolf to headline Laughterama as comedy festival returns to Castlefield Bowl

written by Aiden Baxter

Michelle Wolf has been confirmed to headline the closing night of Laughterama as Manchester’s mega-hit comedy festival returns to Castlefield Bowl for five nights of open-air stand-up from 2nd to 6th September.

The primetime Emmy nominee and Have I Got News For You star joins a line-up already stacked with major names, including Jack Dee, Nick Mohammed, Sara Pascoe, Fern Brady, Michelle De Swarte, Stewart Lee, Chris McCausland and Nina Conti. Wolf is known for her sharp wit and unfiltered take on controversial subjects, and organisers say her set will close out an “exceptional week of comedy” at the venue.

Laughterama 2026 line up poster Manchester
Click to zoom

Tickets for the 2026 edition are on sale now at £29 each, with the full run taking place at Castlefield Bowl, Manchester, M3 4RU, from Wednesday 2nd to Sunday 6th September. Fans can book via manchester.laughterama.com or through the festival’s main site at www.laughterama.com.

Each night presents a compilation-style bill mixing the biggest names in stand-up with Manchester’s street-food and drinks scene, and the wider 2026 line-up runs far deeper than just the headliners. Rose Matafeo, Sarah Keywort, Jen Brister, Tom Rosenthal, Ivo Graham, Elis James, Harriet Kemsley and John Robins all feature across the five nights, alongside breakthrough names such as Vittorio Angelone, Kiran Saggu, Jen Nolan and BBC New Comedy Award finalist Evaldas Karosas.

Laughterama is produced by siblings Will Briggs and Cass Randolph of 57 Festivals, who have spent more than fifteen years running a series of boutique comedy festivals across London and the South of England. Will Briggs said: “We’re thrilled to be returning to Castlefield Bowl with our biggest line-up yet. Every festival we’ve done here has been electric and this year’s is set to be an all-time great! There’s so many incredible acts on each show and we cannot wait to get started.”

Since launching in 2022 with sell-out shows from James Acaster, Aisling Bea and Josh Widdicombe, Laughterama has grown into a fixture of the Manchester summer calendar, drawing over 10,000 comedy fans each year from the city and beyond. The 2026 edition marks the festival’s biggest bill to date, with organisers promising even more names still to be revealed ahead of September.

Wolf’s headline slot adds international star power to a festival that has increasingly leaned on British comedy heavyweights, with Jack Dee and Stewart Lee’s inclusion underlining Laughterama’s pull among the country’s most established stand-ups. Nina Conti, meanwhile, brings her ventriloquism act to the bill as one of the more unconventional additions to an otherwise stand-up-heavy line-up.

AT A GLANCE

  • Dates: 2nd – 6th September 2026
  • Location: Castlefield Bowl, Manchester, M3 4RU
  • Tickets: £29 each
  • Website: www.laughterama.com
Laughterama CastlefieldBowl Highlights 05 09 2024 MattEachusTheMancPhotographer 057 MP2 5243 Enhanced NR

Image credits: Matt Eachus / The Manc Photographer
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

22nd July 2026 0 comments
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LEXIE LIU 0823 884 1
Music

Lexie Liu and Yves reimagine ‘pop girl’ for new ep

written by Aiden Baxter

Chinese multidisciplinary artist Lexie Liu has released her new EP, Pop Girls Club, led by the anthemic single “Pop Girl (with Yves)”, a collaboration with K-pop soloist Yves that reworks her earlier track “Pop Girl” into a duet celebrating different versions of pop femininity. The two-track project also includes a second remix, “Pop Girl (with BAYLI & Isabella Lovestory)”, bringing in the New York-based BAYLI and the Canada/US-based Isabella Lovestory for a fresh take on the same song.

Speaking on the collaboration, Lexie Liu said the remixes “celebrate” the idea that “you can feel confident and insecure all at once”, adding that she wanted each artist to reinterpret the track “in their own way” since she is genuinely a fan of Yves, Isabella Lovestory and BAYLI’s work. On the concept behind “Pop Girl”, she explained it’s “about not fitting into one definition of pop femininity, but showing how many different versions of it can exist.”

Pop Girls Club is out now via Platoon and available on all streaming platforms, with the accompanying music video for “Pop Girl (with Yves)” also released to coincide with the drop. The project came together over 12 months across several cities, with Yves based in South Korea, Isabella Lovestory splitting time between Canada and America, and BAYLI working out of New York.

Yves, born Ha Sooyoung, is best known as a former member of the South Korean girl group LOONA, which disbanded in 2023 before she launched a solo career under the label PAIX PER MIL, releasing EPs including LOOP, I Did and Soft Error. She has previously cited artists such as PinkPantheress and Caroline Polachek as influences on her genre-blending solo sound.

Lexie Liu’s breakthrough tracks “X” and “Magician” first introduced international audiences to her fusion sound, which shifts fluidly between English and Mandarin lyrics. Her momentum continued into 2025 with the EP Teenage Ramble, which drew early praise from tastemakers including CLASH, Metal Magazine and Puss Puss Magazine, while Schön magazine praised her for having “carved her own sonic universe, merging rap, pop and indie grit with unflinching vulnerability.”

Pop Girls Club tracklist:

  1. Pop Girl (with Yves)
  2. Pop Girl (with BAYLI & Isabella Lovestory)

Lexie Liu made her debut in 2019 with the critically acclaimed album 2030, establishing her cross-cultural approach to pop music early in her career. Flaunt Magazine has described her as “poised to become the face of a generation of new Chinese artists breaking into the mainstream with a uniquely cross-cultural sound”, a reputation she continues to build with the release of Pop Girls Club.

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