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Ocean Colour Scene
Line-up

New Blackpool weekender to be headlined by Ocean Colour Scene and Peter Hook & The Light

written by Sam Warrenger

A brand new weekender is coming to Blackpool next year, with Ocean Colour Scene and Peter Hook & The Light set to headline.

Named Indie By The Sea, the event will take place at Blackpool Winter Gardens over the early May bank holiday, running across Saturday 1 and Sunday 2 May 2027. It’s being billed as “the ultimate North West indie weekender”, bringing together acts who defined British guitar music from the late 80s through the 90s and beyond, spanning Madchester, baggy and Britpop.

image 7

Alongside Ocean Colour Scene and Peter Hook & The Light, the line-up so far includes Embrace, Black Grape, Paul Draper, The Wedding Present, Space, Northside, The Primitives and Cud. Solo sets come from Ben Ottewell of Gomez, Mark Morriss of The Bluetones, James Walsh of Starsailor and Ian Prowse of Pele and Amsterdam, with more names still to be announced.

After-hours parties will be hosted by Bez, of Happy Mondays and Black Grape fame, and broadcaster and journalist John Robb, who’ll be keeping the weekend going with DJ sets once the main stages finish for the night.

Tickets go on general sale via Ticketmaster at 10am on Friday 28 August, following an early announce sale that opened at 5pm on Tuesday 25 August.

Ocean Colour Scene headline off the back of the Mod-inflected songwriting that took them from the Camden Falcon to Knebworth, while Peter Hook & The Light will perform tracks from the New Order and Joy Division catalogues that Hook helped write. Embrace return with the widescreen choruses that made them a fixture of British radio, and Black Grape bring Shaun Ryder and Kermit’s follow-up to Happy Mondays, one of the defining sounds of the mid-90s.

Paul Draper, former Mansun frontman, joins as one of the more inventive songwriters to emerge from the Britpop era, alongside The Wedding Present, still touring the DIY, motorik guitar sound they built their reputation on. Space, whose run of singles made them festival regulars in the late 90s, will also perform, along with Coventry’s The Primitives, known for Crash, and Leeds mainstays Cud, who pair sharp lyrics with a chaotic live show.

The bill is rounded out by Ben Ottewell of Gomez, Mark Morriss of The Bluetones, James Walsh of Starsailor and Ian Prowse of Pele and Amsterdam, each performing songs from across their own back catalogues.

Indie By The Sea takes place at Blackpool Winter Gardens, 97 Church St, Blackpool FY1 1HL, on Saturday 1 and Sunday 2 May 2027. Full line-up so far: Ocean Colour Scene, Peter Hook & The Light, Embrace, Black Grape, Paul Draper, The Wedding Present, Space, Northside, The Primitives, Cud, Ben Ottewell, Mark Morriss, James Walsh and Ian Prowse, with more acts to be confirmed.

Peter Hook
Image credit: Rhona Murphy
26th August 2026 0 comments
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image 6
Comedy

Peter Kay adds special Blackpool Opera House show to raise funds for Fin Cormack

written by Sam Warrenger
image 6

Peter Kay has announced an extra special performance at Blackpool Opera House to help raise vital funds for “All In for Fin”, the campaign supporting Fin Cormack and his family as they seek the heart surgery he desperately needs.

The much-loved comedian will take to the stage for a special 1.00pm matinee on Sunday 27 September, adding an extra date to his record-breaking tour specifically to support Fin’s fundraising campaign. All profits from the one-off show will go directly towards the family’s fundraising goal.

Tickets for the Blackpool Opera House performance go on sale on Friday 28 August 2026 at 10.00am, available via the official ticket link. Fans wanting to know more about the cause can find further details at allinforfin.co.uk.

The show gives fans an extra opportunity to see Peter live while supporting an important cause, with the comedian’s latest tour having already broken records across the UK. The newly added Blackpool matinee will be a particularly special addition to the run, bringing fans together for an afternoon of comedy in support of Fin and his family.

Peter decided to step in after seeing a news report about Fin’s situation. He said: “I saw a news report about the situation with Fin and his family, and I felt as if I had to do something to try and help them raise the funds. I hope people will support this really important event to help Fin receive the vital surgery he needs.”

Clare Cormack, Fin’s mother, described the moment Peter got in touch. She said: “We were bowled over when Peter called and told us that he wanted to support Fin! What an amazing guy that he’s taken the time to do this, it’s completely unreal. We are still pinching ourselves!”

Peter Kay’s extra performance for All In For Fin takes place at Blackpool Opera House on Sunday 27 September at 1.00pm, with tickets going on general sale this Friday.

26th August 2026 0 comments
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The Blackout
Gigs

The Blackout announce December 2026 UK tour to mark 15 years of ‘Hope’

written by Sam Warrenger

The Blackout have announced a headline UK tour for December 2026 to celebrate the 15th anniversary of their acclaimed third studio album, “Hope”. Tickets go on sale Friday 28th August at 10am via www.gigsandtours.com and www.ticketmaster.co.uk.

The announcement follows a special immersive live show in Wales earlier this month, and comes off the back of a run of major appearances for the Merthyr Tydfil six-piece, including a celebrated return at Download Festival 2023, a sold-out UK tour in early 2024, outdoor performances alongside Funeral for a Friend, and a headline slot at Chepstow Castle in 2025.

The three-date run kicks off in Birmingham before heading to London and Manchester. Full dates are below.

THE BLACKOUT — ‘HOPE’ 15TH ANNIVERSARY UK TOUR DATES

  • Friday 4 December 2026, Birmingham, XOYO Birmingham
  • Saturday 5 December 2026, London, Electric Ballroom
  • Sunday 6 December 2026, Manchester, Academy 2

“Hope” was originally released in 2011 via Cooking Vinyl and remains the band’s highest-charting record in the UK, entering the official album chart at number 27. The album features fan favourites “Higher & Higher“, “Never By Your Side” and “The Storm“.

Frontman Sean Smith explained the significance of the shows, saying the band are “very excited to play HOPE in full for its 15th anniversary at these shows”, adding that “the album means a load to the band, and it was only possible to make this album because of the support from people who liked the band.”

Smith also revealed the setlist could stretch further back than 2011, since this December also marks the 20th anniversary of the band’s first EP, “The Blackout The Blackout The Blackout”. “So we might throw a few songs in from that too,” he said. “It’s gonna be a night of nostalgia, love and laughs!”

With only three dates confirmed so far (Birmingham, London and Manchester), fans hoping to catch the full “Hope” experience live will need to move quickly once tickets go on sale this Friday.

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25th August 2026 0 comments
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Denmark Street
Music

Denmark Street Sessions returns with PINK JUICE, The Dash and 20+ live shows

written by Sam Warrenger

Denmark Street Sessions is coming back for a second year, taking over London’s most storied music street for a full day and night of free live performances, talks and pop-ups on Saturday 5th September 2026.

The event returns to Denmark Street, WC2, the road where David Bowie became Ziggy Stardust, The Sex Pistols once lived, and The Rolling Stones and Black Sabbath recorded their debut albums. Marc Hayward, onstage guitarist for Black Sabbath – The Ballet and frontman of The Dash, said the street has been “a driving force” throughout his life, adding: “From buying your first guitar to taking it on stage, Denmark Street is a central hub for grass roots live music… The second year for Sessions is set to be an amazing day full of free music, talks and good vibes.”

Running from 1pm until late, Sessions is part street party and part open house, with stores, bars and venues throwing open their doors for the day. Entry to every venue is free, with the full programme available at denmarkstreetsessions.com.

Over 20 live performances are set across the street’s venues, alongside daytime talks hosted by artists, writers and heritage figures. Marshall will supply the back line for the evening’s music, which rolls across individual venues into the night. Residents including Regent Sounds Studios, Thirteen LDN, Wunjo, The Lower Third, Roland, Beautifully Romanticised Accidentally Traumatized, Rough Trade, Sixty Ink and Dawsons are all taking part.

At Rough Trade, Eaves Wilder headlines, drawing on songwriting influences that stretch from 60s Motown and The Beatles to Lily Allen and the riot grrl movement. Piano rocker Henri Herbert performs at Roland, while Regent Sounds Studio hosts a run of live sets from Esme White, 8 Before Ava and Elsie Franklin, plus a talk with Crispin Weir on why Denmark Street is “the home of British Music”. Cam & Friends play Dawsons, smokeshow joins the bill at Rough Trade, and Wunjo Guitars hosts Moondusty and Moon Music Orchestra.

Celeste Madden at Roughtrade 25 1

Thirteen LDN carries much of the night’s energy, with rock and roll DJ Claudio Traina of Sixty Ink spinning throughout the evening. Underground hotspot dial8 hosts a talk titled “The Art of Making the Moment,” featuring music photographers discussing the visual language behind some of the most famous images in music history.

Denmark Street originals The Dash are reforming for one night only at Thirteen LDN, just feet from the site of their first ever show. The London based underground indie punk band will bring what the organisers describe as their “legendary sweaty, adrenaline fuelled and exhilarating sounds” back to where it all began.

Closing out the night as this year’s headline act are Midlands collective PINK JUICE, making a “triumphant return” to Sessions. The band blend British rock ‘n’ roll, 90s hip hop and electronic textures with the warmth of 70s soul, and organisers say their set is built around “a desire to return to the real and spark genuine connection.”

Further gigs, talks and happenings are spread across venues including Rough Trade, Beautifully Romanticised Accidentally Traumatized and Moonrays, with pop-up performances and secret guest appearances promised throughout the day, plus an after party to close the event.

Talk in dial8 25
25th August 2026 0 comments
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Street theatre workshops
ComedyLine-up

Morecambe Comedy Festival to showcase local stand-up alongside top-tier talent

written by Sam Warrenger

Morecambe is getting its own comedy festival this autumn, with organisers promising a week of top-tier stand-up, cult British TV talent and free workshops for the town’s budding comics. The Morecambe Comedy Festival runs from 21 to 28 November 2026, presented by Morecambe Town Council and produced by Matt Panesh, the man behind the town’s existing poetry and fringe festivals.

The line-up leans heavily on names familiar from British TV comedy. Headliner Steve Royle currently plays Eric Morecambe on stage in The Last Laugh, and has previously appeared on Live at the Palladium and Peter Kay’s Phoenix Nights Live, as well as reaching the final of Britain’s Got Talent. He is joined on the opening night by Brennan Reece, an Edinburgh Best Newcomer nominee and English Comedian of the Year winner once dubbed “a teenage Alan Bennett” by The Skinny, plus Daliso Chaponda, who hosts his own BBC Radio 4 show Citizen of Nowhere and is a regular on QI and Have I Got News For You. Compere for the night is Pam Ford.

The festival opens at Morecambe Winter Gardens on 21 November with that headline show, before a second Winter Gardens bill on 28 November brings together two heavyweights of British alternative comedy behind the camera. Ed Bye, director of Bottom and Red Dwarf, will appear in conversation with Paul Jackson, the producer and director behind The Young Ones and The Two Ronnies, for an evening of screenings and reminiscing about landmark TV comedy moments.

Between those two headline nights, the festival fills out with fringe shows and community events across town. The West End Playhouse hosts a run of award-winning fringe performances with local support acts: Mel Bryon, winner of Best Comedy Show at last year’s fringe festival, returns on 23 November for what’s billed as “a good old rant”, followed by musical act Stylophobia on 24 November, while a final fringe performer for 25 November is still to be announced. Just the Tonic, the Midlands comedy club operator and regular Edinburgh Fringe fixture, takes over The Platform on 26 November, with acts also yet to be confirmed.

Alongside the professional bill, the festival puts a strong emphasis on developing local talent. Free workshops running in the lead-up to the festival will teach budding comics how to write and perform their own stand-up routine, with graduates given the chance to perform at the Best of Morecambe community showcase at Morecambe Town Hall on 27 November. Children’s workshops will be held separately at Morecambe Library, alongside free caricature and street circus sessions taking place across the festival week. Free comedy-themed SEN workshops will also let children have a go at crafting comics, writing silly songs, playing with jokes and sketches, or learning a magic trick.

The timing is deliberate. Cllr Lee Bradbury, chairperson of Morecambe’s Festivals, Sponsorships and Events Committee, said: “As the birthplace of one of Britain’s most-loved comedians Morecambe has long been crying out for a comedy festival, and the centenary year of his birth seems a fitting time to launch one. As well as the fantastic talent on display, we’re providing a programme of creative workshops and opportunities for people of all ages to try their hand at various forms of comedy. We hope the festival will not only give audiences the chance to see some fantastic comedy, but inspire the next generation of performers too.”

Festival producer Matt Panesh, who founded Morecambe’s existing poetry and fringe festivals, added: “I’m very excited to be working with the town council on this. We’re building on the success of this year’s Fringe Festival by bringing back Fringe award winners, top level comedians, TV legends and offering opportunities for the town’s people to get involved in the fun.”

Morecambe Comedy Festival 2026 schedule:

  • 21 November: Steve Royle, Brennan Reece, Daliso Chaponda, compered by Pam Ford, Morecambe Winter Gardens
  • 23 November: Mel Bryon, West End Playhouse
  • 24 November: Stylophobia, West End Playhouse
  • 25 November: fringe performer TBC, West End Playhouse
  • 26 November: Just the Tonic, acts TBC, The Platform
  • 27 November: Best of Morecambe community showcase, Morecambe Town Hall
  • 28 November: Ed Bye in conversation with Paul Jackson, Morecambe Winter Gardens

Further details, including ticket information, are available on the council’s dedicated festival page.

25th August 2026 0 comments
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Ariana Grande
Music

Ariana Grande crowned queen of the shower singalong, beating Taylor Swift and Bruno Mars

written by Sam Warrenger

Ariana Grande has been crowned the artist we most love to belt out in the shower, according to new research from Alpine Hearing Protection. The hearing protection specialists analysed 10 of the most popular Spotify shower-themed playlists and found Grande featured 37 times, putting her ahead of Taylor Swift (32 appearances) and Bruno Mars (26 appearances).

The findings land as Grande continues her Eternal Sunshine tour, currently playing UK dates at London’s O2 Arena. Alpine Hearing Protection CEO Arthur van Keeken pointed to the timing, saying: “Ariana Grande’s chart-topping run in the shower rankings mirrors her popularity on stage, with the singer currently performing at the O2 for her UK leg of the Eternal Sunshine tour.”

Rounding out the top five shower artists were Olivia Rodrigo in fourth with 23 appearances and Katy Perry in fifth with 22. Beyoncé and Rihanna tied for sixth place with 21 appearances each, while Tate McRae (19), Sabrina Carpenter (18) and Chappell Roan (15) completed the top 10. The list is dominated entirely by pop acts, with Alpine Hearing Protection noting a “strong preference for pop when it comes to shower soundtracks”, built around recognisable, sing-along-friendly hits.

Beyond individual artists, the research also dug into specific tracks. Beyoncé’s 2003 hit “Crazy in Love” emerged as the single most frequently featured song across the playlists analysed, cropping up five times. The methodology involved reviewing 10 of the most popular and saved Spotify shower playlists, tallying how often each artist and track recurred, then ranking the results from most to fewest appearances. The data was collected on 17 August and is accurate as of that date.

Van Keeken used the findings to issue a wider reminder about hearing safety as the summer festival season winds down. “As the summer live music season is coming to a close, it’s worth remembering that the volumes we enjoy at home rarely match what we’re exposed to at a concert or festival,” he said. “Whether fans are heading to see her or another favourite artist, hearing protection should be high on the list of concert essentials.”

He specifically highlighted the brand’s Alpine Tune earplugs, describing them as “a new generation of earplugs, ideal for concerts, festivals and club nights, with an advanced music filter that reduces volume evenly across all frequencies, while still keeping music clear and speech easy to hear.” According to Alpine Hearing Protection, the earplugs are “engineered for fans to savour their music experience without losing any of the atmosphere.”

The full top 10 shower playlist chart is as follows:

  1. Ariana Grande, 37 appearances
  2. Taylor Swift, 32 appearances
  3. Bruno Mars, 26 appearances
  4. Olivia Rodrigo, 23 appearances
  5. Katy Perry, 22 appearances
  6. Beyoncé, 21 appearances
  7. Rihanna, 21 appearances
  8. Tate McRae, 19 appearances
  9. Sabrina Carpenter, 18 appearances
  10. Chappell Roan, 15 appearances

Image credits:  Emma / CC BY-SA 2.0
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

25th August 2026 0 comments
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Marshall Emberton family
Tech

Marshall completes its Jimi Hendrix 60th anniversary collection with three new products

written by Sam Warrenger

Marshall has unveiled the final three products in its Marshall x Hendrix 60th Anniversary Collection, marking 60 years since Jimi Hendrix first plugged into one of the brand’s amplifiers. The new additions, the Major V headphones, the Emberton III portable speaker, and the JMH Studio amplifier, are all reimagined with a cosmic, psychedelic aesthetic inspired by the guitarist’s music and art.

Janey Hendrix, who oversees the guitarist’s legacy, said the partnership carries personal significance. “The story of Jimi and Marshall has always been personal to me because I first heard it from my dad, Al Hendrix. Dad was there and shared those memories with me, so I carry that story only one degree from its source,” she said. “Jimi was always searching for a sound that did not yet exist, pushing beyond what anyone thought an electric guitar could do. Marshall gave him the power and freedom to turn those bold ideas into a sound the world had never heard before. Sixty years later, that connection between Jimi and Marshall still speaks to new generations of musicians who are pushing creative boundaries and searching for their own sound.”

Marshall emberton iII speaker

The Major V on-ear headphones and Emberton III speaker are available to buy now at marshall.com, priced at £129.99 and £149.99 respectively, with a wider release at select retailers from 9th September. The JMH Studio Edition Bundle, the priciest of the trio at £1,749.99, goes on sale via marshall.com and select retailers from 9th September.

Each product borrows heavily from Hendrix’s visual identity. The Major V headphones come in black with psychedelic graphics, a purple oil-on-water design running through the headband and ear cups, and the recurring “all-seeing eye” motif tied to Hendrix’s fascination with the third eye and expanded vision. The Emberton III carries the same oil-on-water pattern across its sleeve and grille, with a silver all-seeing eye on the media jog dial and purple LEDs, while its silicone sleeve is hand-dipped using a water transfer print, making every unit unique.

The JMH Studio amplifier is the standout of the range, hand-built at Marshall’s factory in Bletchley, UK, reimagining the classic Studio Vintage design. Constructed from plywood and wrapped in black Tolex, it features a black and purple psychedelic pattern across the fret and control panel, a purple LED indicator, and intricate silver beading across the knobs, handle, logo, grille and back panel, a nod to the silver jewellery that formed part of Hendrix’s personal style. Marshall says the amp delivers “expressive cleans and deep blues textures” alongside “expansive, harmonically rich, and searing amplified sound”, making it suited to both live performance and studio recording.

Marshall has also released a video interview filmed at the Granada Theatre in Dallas, in which American blues rock artist Ally Venable discusses how the Marshall and Hendrix legacy has shaped her own music. The interview is available to watch here.

This release marks the conclusion of the Marshall x Hendrix 60th Anniversary Collection, which has run throughout the year to celebrate the relationship between the guitarist and the amplifier brand he helped make famous. Full details on the entire range are available at marshall.com.

25th August 2026 0 comments
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Deftones at Outbreak Victoria Park
Live coverage

Deftones cap Outbreak Fest with a historic Victoria Park headline set

written by Sam Warrenger

Deftones closed out All Points East presents Outbreak Fest on Sunday night, delivering a 95 minute headline set at Victoria Park that pulled from more than three decades of the Sacramento band’s uncompromising alternative catalogue, from 1994’s Adrenaline through to 2025’s Private Music, in front of a capacity crowd of 50,000.

The set capped what organisers billed as the biggest celebration of countercultural music London has ever seen, with a line-up curated by Outbreak Fest, the UK’s premier festival devoted to underground music, and featuring IDLES, Amyl and the Sniffers, AFI, EsDeeKid, JPEGMAFIA and SALEM among the day’s other major draws.

Deftones frontman Chino Moreno paused mid-set to address the crowd, telling them: “What a fucking wonderful day today. So much good music, so many beautiful faces. And it’s Sunday night, go figure. You guys are awesome, thank you so much.” The band brought the night to a close with ‘7 Words’, the final track of a set that spanned their entire discography.

Sunday marked the third full instalment of All Points East’s 2026 programme at Victoria Park, and the festival’s full schedule for the summer had already confirmed Deftones as headliners of the Outbreak Fest date alongside Lorde’s Saturday 22 August show. All Points East now continues next week with a double header from Tyler, The Creator on Friday 28th and Saturday 29th August, before Twenty One Pilots close out the run on Sunday 30th August. Lido Festival then takes over Victoria Park on Bank Holiday Monday (31 August), headlined by Maribou State. Tickets for the remaining dates are on sale now at allpointseastfestival.com.

Deftones on stage at Outbreak Fest All Points East

Elsewhere on the bill, Bristol post-punk band IDLES put on a set that fused the introspective and confrontational, marking their first London performance since 2024. Pub rock favourites Amyl and the Sniffers raised dust clouds on the East Stage, while EsDeeKid caused a frenzy in the North Arena, bringing out collaborator Rico Ace on top of an onstage castle for mass singalongs to ‘LV Sandals’ and ‘Phantom’. JPEGMAFIA launched what organisers described as a full-scale assault on the crowd gathered at the East Stage.

Electronic and dance acts also made their mark across the day. Witch house pioneers SALEM made a triumphant return to London after 15 years, conjuring a snowstorm inside All Points East’s blue big top, while Japanese selector ¥ØU$UK€ ¥UK1MAT$U brought chaos to the early evening slot and UK electronic experimentalist Blawan debuted an explosive new live set on the X Stage.

The day’s programming began early, with Show Me The Body, Basement, Deafheaven and Mannequin Pussy blowing away any Sunday morning cobwebs, while newer acts including Overgrown, VILLANELLE, Reclus.É and Eternal Rin drew packed crowds across multiple stages. Eternal Rin told the audience: “Thank you so much for letting me take you on a journey this afternoon. To be at this festival, on this line up, and have so many of you here with me, blows me away.”

All Points East presents Outbreak Fest is 16+ only, with anyone aged 16 to 17 required to be accompanied by a parent or guardian aged 18 or over.

Deftones on stage from crowd at Outbreak Fest

Image credits: Clemente Ruiz
In this article:
Disclosures: TheFestivals is funded through advertising and sometimes earns a commission on purchases made through links on this website, including in this article: None

25th August 2026 0 comments
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Sankey Street venue 1
Music

Sankeys announces autumn/winter season at revamped Sidney Street venue

written by Sam Warrenger

Sankeys is returning to Manchester with a brand new permanent home on Sidney Street, marking the start of its Autumn/Winter season on Saturday 26th September. The opening party brings together regulars Low Steppa, Pirate Copy, and Mike Morrisey B2B Luca606 for a night that sets the tone for the club’s house-led programme running through to mid-December.

This is the first time Sankeys has had a permanent Manchester base since its celebrated Ancoats venue closed in 2017, and organisers say its absence has been felt ever since. The new Sidney Street space has been refined and revitalised to bring back the same stripped-back, music-first approach that made Sankeys legendary in the first place, keeping the club’s original ethos at the heart of its enhanced surroundings.

The revamped club operates as an intimate 500-capacity space, with new air conditioning added throughout for the first time. A brand new, clandestine Room 2 has also been carved out of the former green room, designed for clubbers to discover rather than seek out; an intimate room built for raw, close-up sets. Moving the artist dressing rooms upstairs has freed up further space on the club floor, while the new room gives Sankeys extra scope to programme across different sounds without pulling focus away from the main space.

The celebrated LED matrix installation returns alongside the no-VIP, no-phones dancefloor policy that has always set Sankeys apart from other clubs. Musically, the venue is returning to the house-led, underground energy that defined its legacy, deliberately avoiding the trend of headliner-chasing to keep the dancefloor experience as the absolute priority. Special guests and residents will be kept unannounced until each week, a move organisers say maintains focus on the shared experience and community spirit that has kept Sankeys at the forefront of the underground scene.

Alongside opening night’s Low Steppa, Pirate Copy and Mike Morrisey B2B Luca606, the autumn/winter bill features Arapu, George Smeddles, Paisley Jensen, Richy Ahmed, Darius Syrossian, Miguel Campbell, Jaden Thompson, Seb Zito B2B Rossko, Grant Nelson and Priku, with more special guests still to be announced between now and mid-December.

Sankey MCR 2026 season 2 1080x1350 1
Click to zoom

The Saturday 3rd October and Saturday 19th December dates fall under the Tribal Sessions banner, both featuring Idriss D and Rebecca Gough, while Halloween on Saturday 31st October brings Miguel Campbell, Pirate Copy and OD Muzique to the club. Seb Zito B2B Rossko will play an extended set on Saturday 5th December, and residents and special guests are promised every week across the run.

The full autumn/winter line-up is as follows:

  • Saturday 26th September (Opening Party): Low Steppa, Pirate Copy, Mike Morrisey B2B Luca606
  • Saturday 3rd October (Tribal Sessions): Arapu, Idriss D, Rebecca Gough
  • Saturday 10th October: George Smeddles, Paisley Jensen, Shimrise
  • Saturday 17th October: Richy Ahmed, Luca606, Alex Bourne
  • Saturday 24th October (Moxy): Darius Syrossian, Rudanec, Miruna Ghica
  • Saturday 31st October (Halloween): Miguel Campbell, Pirate Copy, OD Muzique
  • Saturday 7th November: Murphys Law, Guy Burns, Ruby Richards
  • Saturday 14th November: Phil De Janeiro B2B Benji King, Kellie Allen, Boon
  • Saturday 21st November: Jaden Thompson, Pirate Copy, Jude Lenihan
  • Saturday 28th November: Scott Steer, Butters, Luca606
  • Saturday 5th December: Seb Zito B2B Rossko (Extended Set), Tom Shorterz
  • Saturday 12th December: Grant Nelson, Danny Snowden, Larry Ababio
  • Saturday 19th December (Tribal Sessions): Priku, Idriss D, Rebecca Gough

Further residents and special guests are set to be added on a weekly basis throughout the run. Tickets go on sale this Friday and you can sign up here.

SankeysSoap
25th August 2026 0 comments
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image 2
Features

Why Daily Rewards Keep Players Coming Back Every Day

written by Taylor Bradshaw

You did not really plan to open the game today, yet here you are, tapping in to collect a small reward before the day resets. That quiet daily pull is not an accident but one of the most refined pieces of behavioural design in modern games. Daily login rewards are used by the overwhelming majority of titles for a single reason: they work.

What looks like a generous little gift is really a precision tool for building a habit, and the psychology behind it is surprisingly deep. Once you see how these systems turn a voluntary visit into an almost automatic routine, the daily reward stops looking like kindness and starts looking like clever engineering.

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The Most Common Retention Trick In Games

Daily rewards are so widespread that they have become almost invisible, a standard fixture players barely question. Industry studies suggest the vast majority of mobile games now use some form of daily login reward, making it the single most popular retention mechanic in the business.

The reason for that popularity is simple: nothing else builds a routine so cheaply or so reliably. A tiny reward costs the developer almost nothing, yet it gives players a concrete reason to return at the same time each day, and that repetition is the seed from which long-term engagement grows.

The tactic is not unique to games, since any product that wants you back daily leans on the same idea, whether a language app or a set of elite spins uk, where a recurring reward is designed to keep you in daily contact with the product. The reward itself is almost beside the point; the routine it quietly builds is the real prize.

The Habit Loop It Builds

At the core of every daily reward is a simple behavioural cycle that psychologists call the habit loop. It runs in three steps, a cue, a routine and a reward, and repeating it enough times wires the behaviour in until it feels automatic.

In a game, the cue is often a push notification or simply the time of day, the routine is opening the app and collecting your reward, and the reward is the small prize plus the little flush of satisfaction that comes with it. Do this for long enough and the loop begins to run on its own, no longer a decision but a reflex.

The evidence for this is striking, with research finding that games using daily login systems retain players at far higher rates than those without. That effect is strongest once a player has kept a streak going for about a week, the point at which the habit appears to lock in and become largely self-sustaining.

The clearest proof lies outside games entirely, in apps that have made streaks famous. Duolingo and Snapchat both turned a simple daily counter into a cultural habit, and when Duolingo added a home-screen widget that kept the streak permanently in view, daily engagement reportedly jumped by around sixty per cent, a vivid illustration of how much power a single visible number can hold.

Loss Aversion Does The Real Work

The true engine behind streaks is not the joy of the reward but the fear of losing progress. Behavioral science has long shown that people feel the pain of a loss far more intensely than the pleasure of an equivalent gain, and daily reward systems are built squarely on that imbalance.

Why A Long Streak Feels Impossible To Break

The landmark work of psychologists Kahneman and Tversky found that a loss feels roughly twice as powerful as a gain of the same size. Applied to a streak, this means the longer your run, the more painful the thought of ending it becomes, regardless of what the daily reward is actually worth.

A seven-day streak is easy to shrug off, but a three-hundred-day streak can feel like part of your identity, something you have built and do not want to throw away. Breaking it stings far more than the small prize ever pleased you, which is exactly why the counter, not the reward, is what really drags you back each day.

Why The Rewards Keep Growing

On top of loss aversion, developers layer several reinforcing tricks that make the loop even harder to escape. Each one targets a slightly different quirk of human psychology, and together they turn a simple counter into a compelling commitment.

A few mechanisms do most of this work:

  • Escalating rewards — prizes that grow bigger the longer your streak runs, dangling a larger payoff just ahead.
  • Endowed progress — the sense of ownership over a streak you have built, making you reluctant to write off the effort.
  • Variable rewards — surprise bonuses layered on top, so you never quite know what a login will bring.
  • Sunk cost pull — the nagging feeling that quitting now would waste all the days you have already banked.

The escalating reward is especially effective, because there is always a bigger prize a few days away that makes stopping feel premature. Combined with the unpredictability of variable bonuses, it borrows the very same dopamine loop that makes slot machines and social feeds so hard to put down.

The Tricks That Stop You Quitting

Beyond the rewards themselves, games wrap the whole system in design choices that quietly discourage you from ever missing a day. These are the finishing touches that convert a good habit-forming mechanic into a genuinely sticky one.

Design trickHow it keeps you logging in
Visible streak counterA number on screen turns your progress into something you can lose
Timed push notificationsA well-placed reminder nudges you back before the day runs out
Streak freeze or recoveryA safety net that keeps you in the game after a slip instead of quitting
Milestone celebrationsBadges and animations reward you and make the streak feel worth protecting

The streak freeze is the cleverest of these, since a purely unforgiving system would make players rage-quit after a single missed day. By letting you protect a streak, often by spending in-game currency, the game keeps you engaged after a slip and, subtly, makes the streak feel even more valuable because you have now paid to defend it.

When The Loop Turns Into A Chore

For all their cleverness, daily reward systems carry a real downside that is worth naming honestly. When engagement is driven by fear of loss rather than genuine enjoyment, logging in can quietly curdle from a pleasure into an obligation.

Players caught in this state often describe empty, joyless sessions, opening a game purely to tap a button and preserve a streak before closing it again. At that point the loop has stopped serving the player and started serving only the retention numbers, turning a game into a daily chore performed out of guilt.

There is a commercial motive threaded through all of it too, since every forced login is another chance to place a purchase, an offer or an advertisement in front of a player. Keeping someone in daily contact with a game is rarely an end in itself; it is the foundation that the game’s whole money-making machinery is quietly built upon.

The better designers have started to respond to this, shifting from pure pressure toward rewards that deliver real value, so people return because a session is genuinely worthwhile rather than merely to avoid a loss. That distinction, between a habit that enriches your day and one that simply guilts you into showing up, is the line every player should learn to feel for themselves.

The Reward Behind The Reward

Daily rewards keep players coming back because they are not really about the prize at all. They build a habit loop, then hold it in place with loss aversion, escalating payoffs and clever safety nets, until logging in becomes an almost automatic act of protecting something you have built.

Seeing the machinery for what it is puts you back in control, letting you enjoy a daily reward when it adds something and walking away when it has become a hollow routine. The healthiest approach is to ask, honestly, whether you are logging in because you want to or only because you are afraid to stop.

FAQ

Why do games give daily login rewards?

To build a daily habit. A small reward gives players a reason to return at the same time each day, and that repetition creates a routine that keeps them engaged with the game over the long term.

Why is it so hard to break a long streak?

Because of loss aversion. People feel a loss about twice as strongly as an equal gain, so the longer a streak grows, the more painful ending it feels, regardless of the reward’s actual value.

What is a habit loop in game design?

It is a cycle of cue, routine and reward. A prompt leads you to open the game and collect a prize, and repeating this enough times turns the behaviour into an almost automatic daily reflex.

Are daily rewards bad for players?

Not inherently, but they can become a chore when driven by guilt rather than enjoyment. The healthiest sign is logging in because a session feels worthwhile, not simply to avoid losing a streak.

25th August 2026 0 comments
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